Remembering John Hughes, 1950-2009
by John P. HanlonIn the well-known 1980’s film “Ferris Bueller’s Day Off,” Mr. Bueller famously says, “Life moves pretty fast. You don’t stop and look around once in a while, you could miss it.” That line could refer to the death of John Hughes who wrote and directed that film and who died last week at the young age of 59. However, that line could also refer to some of the themes from some of Hughes’ most well-known and iconic films that are still loved by many today.
Admittedly, I have not seen every John Hughes movie. Before his passing, though, I had seen only a few of his most well-known pictures like “The Breakfast Club,” “Ferris Bueller’s Day Off,” and “Home Alone.” Last weekend, after the death of Hughes, I watched two of his other well-known movies, “Pretty in Pink” and “Sixteen Candles,” for the first time in commemoration of his death and to see why these films had such an effect on the young people of the 1980’s.
Because I was not a teenager during the 80’s, I did not have the opportunity to watch Hughes’ movies during the decade that Hughes helped define for so many young moviegoers. I was a child of the “Home Alone” era, not a teenager of the “Breakfast Club.”
However, after watching “Pretty” and “Sixteen” last weekend, it is clear why Hughes was such a phenomenon as a writer for so many young people of that generation. Each Hughes film that I have seen has a simple and often an easily relatable premise. A group of complicated and unique teenagers spend detention together. A mischievous high school boy skips school with his friends. A high school girl deals with social and class distinctions in dating.
However, these overall plots do not tell the whole stories of these films because in these films, the characters are dealing with more than the premise suggests and many of those characters discover things about themselves and about others that they might have missed had they not looked “around every once in a while.” The group in detention learns about how complicated fellow students who are often defined by high school “stereotypes” (i.e. the athlete, the nerd, the rebel etc.) can be. The high school boy who skips class realizes, among other things, his best friend’s deep frustration with his father who seems to love his car more than his son. The girl who deals with class distinctions learns how people can defy their social classes and their peers if they choose to.
Renowned film critic Roger Ebert recently wrote, “Few directors have left a more distinctive or influential body of work than John Hughes. The creator of the modern American teenager film, who died Thursday in New York, made a group of films that are still watched and quoted today.”
Even though many would say that John Hughes reached his peak in the 1980’s, people are still watching and enjoying his films today for the first time (I can personally attest to that fact). The number of tributes to Hughes over the past several days shows how important Hughes was as a writer and as a director. Taking Ferris Bueller’s advice, since John Hughes died last week, many people have stopped and looked around and they have realized how much they will miss John Hughes.





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A woman who was a teenager during the 80's wrote to Hughes and they became pen pals for a couple years. Years later she contacted him again, after he had retired from Hollywood and got his reason for leaving it all. Her contact with him shows what a nice man he really was. RIP Mr. Hughes.
http://wellknowwhenwegetthere.blogspot.com/2009/0...
[...] Patricia Heaton Told Not To Make Already-Pointless Appearance at Comic-Con Potato Sack Slaughter Remembering John Hughes, 1950-2009 – bighollywood.breitbart.com 08/13/2009 In the well-known 1980’s film “Ferris Bueller’s [...]
His movies are timeless because they are really about the characters, not the general plotline like most flicks. Check out Some Kind of Wonderful. Great character development & interplay.
"Planes, Trains and Automobiles" has become my favorite as I've gotten older. I get a little misty thinking of Del Griffin and the late, great John Candy. Uncle Buck is another one tight up there.
Even so, "Sixteen Candles" is iconic.
I'm in the minority in this, but I didn't like Ferris Beuler's Day Off. More specifically, I hate the character. I find him a smart-aleck twerp who gets away with everything and suffers no consequences for his actions. His sister hates him for it and spends the movie trying to "get him", but when Ferris finally gets caught by the Vice Principal, she gives him an alibi because she found a boyfriend. It ticked me off.
I can honestly say I've enjoyed every film Hughes ever made, but especially The Breakfast Club. I've referred to pot as "doobage" ever since. I was in my 20's when most of his films came out: Close enough to high school years to relate, but old enough to be looking back with nostalgia.
A real loss to the world of entertainment (which can ill afford such losses.) John Hughes wrote and directed films that were driven by strong storylines, memorable dialogue and strong characterizations. To paraphrase Shelby Foote, Hughes films "possessed sentiment but were never sentimental." Hughes movies had heart in the best sense of the word. He never descended to mawkishness and his stories were often tinged with a bittersweet quality. Going to the movies today generally means enduring the latest CGI blastorama or the antics of obnoxious frat-boy types exploring their various bodily functions. John Hughes films were kind, humane and often wise. Thanks a lot John and you will be missed.
I am a product of the '80's having graduated HS in 1986. John Hughes films were the first movies I ever saw that made me, a teenager at the time, feel like somebody out there "gets" me. "The Breakfast Club" is my fave followed closely by "Sixteen Candles", "Pretty in Pink", "Ferris…" OK, all of the rest.
I have missed his work as an adult but after reading the blog of the woman who was pen pals with him (I actually ran across that lovely item a few days ago), I totally understood why he got out. Fortunately, his work and his legacy will live on.
Count me on your side. FBDO is the one Hughes movie I've seen that I really disliked, and for the same reason that you disliked it: I couldn't stand the main character.
Even so, I can see how a few moments in the film became classic and Ben Stein certainly made his mark!
C'mon, TCM! (Or Cinemax; or Showtime…) A John Hughes retrospective would be a ratings bonanza.
I searched in vain all week.
Can't disagree on that one. I found myself tense and annoyed the first time I saw it, despite some really funny scenes and lines.
He's a brat, if that's what you mean.
Did you have the same reaction to Animal House?
She's Having a Baby is severely underappreciated in my book, Kevin Bacon showing some great comic (and serio-comic) chops. Great post-script/credits cameos, too, 'course I'm a sucker for anything involving Stewart Copeland.
Welcome the wider world of Hughes movies, too, Mr. Hanlon! Put Weird Science on your short list to watch soon as well. Despite the dated computer stuff, has held up amazingly well over the years. Hmm, pretty much like all of Hughes' stuff.
I hope that Copeland love extends to Dead Like Me.
Having turned off from so much of Hollywood knowing more about this specific director will make me go out and see the other films from Hughes I never watched. I loved Ferris Bueller's Day Off. It's a teen's fantasy of control in a world they don't control, but with realizations there are big things ahead they will have to take the reigns of, like what to do after high school.
nobody shot Lake Forest like he…
One of the nicest things about Hughes' films is the love for Lake Forest Illinois, and the Christmas look of the lovely homes there in the winter was evocative of a different- and better- time. His take on middle America, clever, warm and decidedly non-cynical- propelled a cottage industry that went on for a whole decade.
Though not a huge fan of his work, it did seem dated-
Now, for some unknown reason it seems as timeless as the ages…
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This is why, IMHO, Ferris Bueller is a great double feature with The Cable Guy (featuring Matthew Broderick). You get to spend 90 minutes watching him enjoy life, then another 90 minutes being tormented by Jim Carrey. Some good symmetry there.
Dude, if you're just seeing Sixteen Candles and Pretty in Pink and not even mentioning Planes, Trains and Automobiles, you need to watch that one toot sweet [sic]. It's not just one of Hughes' best, but it's a modern classic. It really runs the gamut of emotions, from hilarity to sadness. Also, you've seen Vacation, right? See Vacation.
I've seen most of what he wrote and all of those he directed except for She's Having a Baby and Curly Sue. Those two never looked interesting to me, but now I'm just glad I have some "new" John Hughes to look forward to.
PT&As has to be THE funniest freakin' movie of all time, well almost.
The Breakfast Club was probably the best teen movie during the 80s. Loved it.
To me FBDO is a daydream of what someone may fantasize of what they would love to get away with, but knows that they really can't. I enjoy FBDO every time that I watch it.
I think we all have known a good-hearted smart aleck or two who seem charmed in everything that he or she does. I kow that have been fond of a few Beuler's in my day. In the back of my mind, at times, I used to sort of envy thebefore I developed a better sense of self.
I was the smart aleck twerp growing up, but often I didn't get away with it. That's why Bueller was the man, he actually got away with it!
I was the smart aleck twerp growing up, but often I didn't get away with it. That's why Bueller was the man, he always got away with it!
I don't like Ferris, yes, he's a twerp, but I like the movie. I always related WAY too much to the sister.
No disrespect for the dearly departed intended, concerning whom the first 47 Big Hollywood obituaries I thoroughly enjoyed and which, like this piece were extremely well-written and obviously heartfelt. :
From Wikipedia – "an illiterate voter, who did not know him, came up to [Aristides, whose exile would be determined by a vote of the citizenry], and giving him his voting sherd, desired him to write upon it the name of Aristides. The latter asked if Aristides had wronged him. "No," was the reply, "and I do not even know him, but it irritates me to hear him everywhere called the just."
I was the family smart aleck also. I got away with some things, but the knots on the back of my head reminded me often of how much I didn't get away with.
Some Kind of Wonderful was my favorite movie that he wrote. He has a great body of work.
Thanks for saying it! I, too, have never cared for FBDO. It contains the most annoying character in filmdom history, Cameron. What a whiny pantywad! The attempt to make him some kind of victim of his non-attentive parents just grates on my last nerve. The unburdening of his years of suffering to his self-absorbed buddies at the end of the movie is plain irritating. I can't give one rip about anyone of the snot noses in this movie.
Wow, its so nice to see all of this conservative appreciation for John Hughes.
I'm curious then, what some of you might say about this: John Hughes… class warrior?
That may sound a bit overstated, but there's this from an NPR article:
"Another theme underpinning Hughes' comedies was the issue of class. In Pretty in Pink, Ringwald's character pines for a rich boy, though she lives on the wrong side of the tracks and sews her own prom dress. Hughes wrote the Chevy Chase film Vacation partly out of long-held simmering resentment over never having visited Disneyland as a child."
http://www.npr.org/templates/story/story.php?stor...
Agreed. Pretty in Pink is what I'd call a "Cinderella Story". Which is a concept that's been replayed in popular theatre, literature, and film for many years.
Cameron is wound up so tight that if you stick a lump of coal up is a$$, in two weeks you'll have a diamond.
Chicks, they cant' hold dere smoke. Dat's what it is…
oh wait, that was Wierd Science.
Hey, CD, have anything new? You've posted this a couple of times in response to John Hughes articles.
Seriously, have you heard of the saying: "beating a dead horse"?
Have you nothing else to contribute?
Sheesh.
Not being critical, ladykrystyna, but in keeping with the spirit of the topic, I believe the Donger would say, "Eeesh!!!"
Cinderella Story = classist.
what is new about this N-th tribute to John Hughes featured on Breit bart?
I would imagine that (unlike you it seems) there are some readers here that don't read every single one of my posts.
you should really find a hobby or something.
That's curious. Cinderella is "classist", and yet liberals love the story.
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You couldn't drive a piece of straw up his a$$ with a sledgehammer.
A bit overstated, yes. Class warfare is purely Leftwing projection. Ringwald's character doesn't pine for a "rich boy," she pines for a boy who happens to be rich. I don't mean to imply there aren't girls out there pining for a "rich boy, but that wasn't Ringwald's character.
Conservatives live on both sides of those tracks, as do Libs. The difference is we don't see the class war those NPR Libs do, and frankly I doubt John Hughes did either if the only example we have is Chase not going to Disneyland. When I was a kid, we always packed our food on trips because we couldn't afford restaurants, and just stopping for coke was a luxury. The fact that I like to treat myself right now that I'm able to doesn't make me a class warrior.
when Cameron was in Egypt land,
Let my Cameron go…
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