Honoring September 11th: Memories of the WTC — King Kong, Carol Channing, and Ground Zero

by Charles Winecoff

I never liked the Twin Towers.  As a boy, I watched them go up - slowly, for years – from the terrace outside my parents’ bedroom.  My dad, who was an architect, griped about them: they were too big, they lacked style, they were monstrous.  They sat vacant for years, a folly of the Port Authority.

And they ruined the skyline.

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We all loved the Empire State Building, for decades the tallest building in Manhattan, even the world.  The Empire State Building inspired loyalty.  It was a marvel of engineering and design.  It was a class act.  And King Kong had died for love on it.

Of course, we went to see what the WTC was all about.  The lobby was tacky, grandiose yet bland, like an airport or a ballroom in a chain hotel.  The elevators were fast – a cheap thrill, like a ride at Disneyland – but when you debarked, the mundane, office hallways were an anticlimax. Nothing special.

But the view was terrifying.  The flat rooftop and the walkway around the perimeter offered nothing but open space – no comforting, Art Deco core to take you in if the cold wind and the swaying of the tower made you nervous.   And sway those towers did, as they cast ominous, icy shadows over lower Manhattan.

In 1974, when the disaster movie craze was at its peak, my family dined at Windows on the World.  For a teenage boy, it was thrilling to be in a setting that looked straight out of Irwin Allen’s The Towering Inferno.  Wouldn’t it be exciting if something happened and we were trapped on the 107th floor, our lives in danger against the glittering backdrop of New York at night?  What if we had to be rescued by helicopter – or, even scarier, via impromptu pulley (made of ladies’ pantyhose, of course) across to the south tower?

Didn’t happen, and the food was forgettable.

Two years later, a Hollywood publicity stunt drew me back.  I read in the paper that Towering Inferno director John Guillermin would be shooting the final scene of his King Kong remake in the plaza between the two towers – and the public was welcome to come and participate as volunteer extras.  What better way for a young, wannabe screenwriter to slip a script to a real director?

Thousands of people, probably bridge and tunnel, turned out to gawk at the movie lights – and at the giant (fake) dead ape that had been placed in the middle of the plaza.  An unknown model-turned-actress named Jessica Lange, a dot in an evening gown, played her tearful farewell to the inert mountain of fur.

For us extras, the subway-at-rush-hour pushing and shoving didn’t allow for glamorous fantasizing.  (I did, however, get my script to Guillermin by pretending I was a messenger – and got a form letter back.)  Lange, of course, went on to become an Oscar-winner and, after the Twin Towers were no more, a world-class Bush basher. 

We used to joke that the city should have kept the dead Kong in the plaza - because it was the only thing that made the WTC remotely interesting. 

In later years, I sometimes went down there to buy cheap Broadway tickets at the TKTS booth in the lobby of one of the towers.  The last time was in 1996, for a revival of Hello, Dolly! – still starring Carol Channing.  To get there, I took the IRT train down to the final stop beneath the towers, and walked up through the mall-like promenade of stores to the lobby.

But I always wanted to get in and out of there as quickly as possible.  It was not a place to dawdle.

Maybe it was the memory of the 1993 bombing – although that seemed to have made little impact on anyone, including myself – or maybe it was just all the years of bad-mouthing the place, but the WTC always made me ill at ease.  Even from the street outside, along the river, I couldn’t bare to look up at the towers, as impressive as they were.  They frightened me.  And I had been told if someone blithely tossed a penny from the roof, it could go right through your skull.

When the towers fell, I was thousands of miles away, in Hollywood.  Like most people, I watched them burn and collapse on television – as bumper-to-bumper LA became a timid ghost town.  Part of me was grateful that I’d been spared seeing the attack in person, probably from our old family terrace.

Another part of me felt like I’d let my home town down.  Never again.  Now my country is my city.

Those tragic towers became part of history in a way no one could have foreseen.  Well, no one I knew, anyway.   Funny how you only miss some things after they’re gone.