Look Back At the Beastie Boys Part 1: ‘Licensed to Ill’
by Cam CannonIn November 1986, I wandered into a mall record store with every intention of buying nothing. I browsed, and nothing caught my eye, except the Violent Femmes first album, but it was too expensive. Nothing stood out in the rap section, which at that time was tiny, so I left. As I stepped back out into the mall, a display in the window caught my eye. It looked a little something like this:
Now, with all due respect to Ben Shapiro, I had been a fan of rap/hip hop since I heard “Sucker M.C.’s” by Run-DMC in the seventh grade, and my early cassette tape collection included such artists as Whodini, The Fat Boys, and LL Cool J. While I heard “Fight for Your Right (To Party)” on the radio, I honestly didn’t consider it hip hop music. I also didn’t know that the Beastie’s had been around as a hardcore punk outfit for a little while. But there’s one thing I did know when I saw that poster in the window of Camelot Music at Cumberland Mall, and that my friends is this: The Beastie Boys were obviously the coolest guys that had ever lived. I hurried back inside the store and snapped up a copy of their Def Jam debut, “Licensed to Ill.”
Thus began a strange career for Adam Horovitz, Adam Yauch, and Michael Diamond, and my stranger fascination with it. For better or worse, their music influenced the rock-rap subgenre, but it’s unfair to categorize them with the bands they inspired. From Even when they venture into the hardcore punk of their youth, The Beastie Boys are a hip hop group. If Rap is a style of delivering lyrics, then hip hop is an attitude. The Beastie Boys, along with Run DMC and Public Enemy (among others), created music informed by Rock and other genres, but is definitively hip hop.
Starting with this post, I will attempt to dissect each of their studio albums, viewing them through the prism of my experiences as a somewhat rabid fan. Anyone that has a most favoritest artist in the world knows, the “relationship” between artist and fan is at times weird, with perceived betrayals, to joyous reunions, to moments when you’re sure you’re the only person that really “gets” said artist. Taken to its ridiculous, literal extreme, we’re talking Kathy Bates in “Misery”-weird. I hope you enjoy the series.
“Licensed to Ill.” Coolest. Title. Ever.
From the opening drums and pounding guitar, I was hooked. The Beastie Boys didn’t sound like anyone I had ever heard.
I’m not a connoisseur of classic rock and roll. I had no idea that was Led Zeppelin or Black Sabbath they had sampled on the opening track, “Rhymin’ and Stealin’,” I simply knew that my suspicions were confirmed about these three white guys. “Licensed to Ill” was a monster hit, crossing over racial barriers, but it was soon dismissed within the culture as a novelty hit. The Beasties, comprised of Michael “Mike D.” Diamond, Adam “The King Ad Rock” Horovitz, and Adam “MCA” Yauch, issued a string of awesome videos in support of their masterpiece, each one funnier than the last. They had previously made a cameo appearance in “Krush Groove,” as themselves; but I was not allowed to see the movie. Until “Licensed to Ill,” I just lived with that fact, but now I needed to see it, I had to see it. It was…kinda lame, a great story poorly told. Someone should remake it; it would probably be more effective today, as a “Boogie Nights” style piece of nostalgia.
I vividly remember never taking the tape out of the boombox I had gotten for Christmas in 1984. Etched in my brain is an argument I had with my mom. She wouldn’t let me go see them live because she heard something about an inflatable penis onstage. An inflatable. Penis. Onstage. Does it get any more sophomoric? Turns out, yes, it does. My buddy Capers went to see them at the Atlanta Civic Center and came back with a T-Shirt that said, “Stay off my d*ck.” (Our boss at the Austell Road McDonald’s told him to cover up that obscene shirt!) I saw them perform on MTV’s New Year’s Eve Special that year, and they were mesmerizing, dousing each other with beer, acting like lunatics. I had never seen anything like them before.
Lyrically, they were hilarious. Sharp storytellers, they were equally adept at ridiculous name-checking-non-sequiturs. MCA boasted that he had “More rhymes than Phyllis Diller,” and “more juice than Picasso got paint.” They rapped about smoking angel dust, skateboarding, and because they couldn’t actually say bad words, they rapped about saying bad words; they sampled the theme from Mr. Ed (which, yes, I recognized). They were everything a nerdy teenager like me wasn’t. They toured with Run-DMC, got booed offstage when they opened for Madonna, made a mockery of the Grammy’s (or some crappy awards show), and performed in and then…they sued their label and moved to Los Angeles.
It seemed like it was over. They were The Monkees, we were told. One hit wonders. Worse, they were suddenly, seemingly irrevocably, the least hip band (band?) in the world. They had lost something that was very important in the world of hip hop, something that is very difficult to regain: Street Cred. In the pre-Internet age, it was difficult for me to keep tabs on them once they headed west. Once they were completely, seriously – completely – forgotten, I read they had a second album due on a new label, Capitol Records. I can’t dig up anything about it, but I swear I also remember reading that Russell Simmons had hired Chuck D. (The incredible! Rhyme animal!) and the Bomb Squad to finish some Beastie tracks that Def Jam still owned. Purportedly it would be called “The White House,” and it was supposed to come out a week after the Beastie’s were to drop their unanticipated second album. I almost wish I could write about this alleged album next week, because I still love the idea of it. Instead, look for my post about “Paul’s Boutique,” which by all accounts was destined to be an artistic and commercial failure.
LICENSED TO ILL, 1985
BEST SONGS: Paul Revere, Rhymin’ and Stealin’, The New Style, Time to Get Ill, Slow Ride, Slow and Low, Brass Monkey
COOL SAMPLES: Mr. Ed, Moby Dick, Some song by CCR
POLITICAL REFERENCES: None
Cam’s Rating: In 1985, 5/5 stars. In 2010, 5/5 stars
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80 Comments
I grew up on the Beasties and must say that Paul Revere is a song thats never been copied because it was so awesome of a story and the beat sounded great in a car with some serious subwoofers! Sigh, thanks to this article I will go the rest of the day with that song playing in my head lol!
Great article!
Looking forward to the Paul's Boutique column. I consider it to be my own personal Sgt. Pepper album . . .
Paul's Boutique was a superb record.
This is one of the 10 best rap albums of all time. This was before they turned into Buddhist tree-huggers. NONE of their records are as good as this album. A true hip-hop classic.
I have everyone of their albums except the obscure jazz one they did. I can still listen to them and it sounds great!
I’m sure they’re very talented, but I just can’t get past their use of a drum sample from “When the Levee Breaks.” It’s my favorite Zeppelin track, and “stealin’” Bonham’s powerful drum beat and using it in that manner amounts to desecration in my book.
Strange that this comes now, when I've been on a Beastie Boys kick for a week. And the record I keep going back to? Paul's Boutique.
They didn't lose me with their politics; they lost me with that #@$ing "Intergalactic Planetary" &%##@&*$.
Listening to the Beastie Boys early stuff always puts a smile on my face. My band still plays Fight For Your Right and the kids of all ages rap along.
I was at the ATL Civic Center when they first blew through. Also spent quite a bit of time at the Austell Mickey D's then. Maybe you waited on me a few times, Cam. I was just listening to License to Ill last night. Me and my horsey and a quart o' beer……..
They lost me with that horrible song too. But their whiny tree-hugger crap annoyed me as well. I actually liked the Check Your Head album though, but that was it. Paul's Boutique, no one liked, but now it's become "cool" if you claim you liked it. I always thought it was crap and I still do.
No Sleep Till Brooklyn never fails to pump me up. I own Ill Communication and Licensed to Ill although I've heard Paul's Boutique is phenomenal.
Gotta admit when License to Ill came out I HATED the Beasties. Wasn't until The In Sound from Way Out that I came to like them … and I REALLY liked The In Sound from Way Out … still don't care for any of their other stuff (well The Mix-Up was pretty cool).
Well, I guess reliving your youth in soporific prose is a slightly more socially constructive activity than stalking Judd Apatow. Or wasting your time writing another script that he will never read.
Ah, you understand completely!
(No, Karry is no alias of mine)
Hey, anyone know what the original name of the album was going to be? It's titles started with 'Don't Be A…' and you can look for the last word yourself I'm not going to repeat it here.
I loved 'Fight for your right'. I know they won't play it anymore, but the video itself was fun to us kids. It's so much fun and Kerry King does a solo on it.
"I hope no bad people show up"
I had Licensed to Ill as a kid and played that cassette until it wore out. I never head the money to replace it.
It wasn't until years later that I heard it with some serious subwoofers.
I loved that album then and still love it.
Whilst I do admire a lot of their music, including this album, these guys have always irked me, primarily because of how they've treated women.
I remember watching a long-form video that was released around the time of this album, and it included footage of the Beasties treating groupies like garbage backstage.
Then, suddenly, they went 180 degrees and started lecturing their audiences about treating women with respect, but it was irritating for two reasons: first, because they were the ones who needed to stop treating women like crap, not the audience, and then also because now they were acting like women were dainty wallflowers that needed Beastie Boys to protect them.
They went from treating women like garbage to then later treating them like infants. I never noticed them actually treating women like regular human beings.
Making yourself a groupie is already treating yourself like garbage, how can you expect others to treat you any differently? I understand what you're saying, Kensington, but I have been an avid concert goer for over 30 yrs, and as a woman, I have seen some trashy people. I can't respect, nor expect anyone else, to treat these people with anything other than contempt. I agree that their (BBoys) views have evolved, maybe for the better, maybe for the worse, who knows? Women only get treated badly IMO if they view themselves as victims. I loathe those people.
I just think that let's them off the hook too easily on the earlier behavior, Di. Just because someone walks in front of me with a "kick me" sign on their back doesn't make me any less of a jerk for kicking them.
The point I wanted to make the most, though, was that I don't think the two poses they struck (1. women are garbage, 2. women are frail, fragile waifs) are nearly as far apart as they probably think they are.
But really, I just found it irritating to be lectured by a Beastie Boy about treating women with respect.
I keep knocking myself in the arse that I didn't get hip to this album sooner. Once found it was hard to put that bad boy away.
Hip hop classic yeah. Take away the 'hip hop' label and it sneaks higher. That's crafty.
The vulgarity and over-indulgent self-praise comes with the territory. Deadwood has similar conflicts which separates it from others because they choose to go boldly.
Hold it now, Hit it!
I wasn't really trying to excuse the Beasties, just that those women are stupid. I agree wholeheartedly that I never want to be lectured by pompous musicians or actors.
Greatest rap geoup of all time. Oh, the irony of it all! Took sampling to a whole other planet.
Overlook the stupidity of their Liberal ways, they do it better than any. ernoMatt is an idiot btw.
Great article. In 10th grade (1986), my friend Monty told me to check out the Beastie Boys. I remembered vaguely hearing 'Cookie Puss' on KROQ a few years earlier, but when I got 'Licensed to Ill', I was mesmerized too. Wore out one or two cassettes of that, and a CD. (Trivia: look at the crashing airplane in the cover art. Check out the tail number backwards in a mirror.)
In 1989, I waited and counted down on a daily basis until 'Paul's Boutique' came out. Spent the entire summer with that album. Lots more stories about the Beasties (including being in one of their videos in the crowd, and meeting them backstage in England), but suffice to say, they were my Favorite group in the 80s and most of the 90s. I also have all six issues of 'Grand Royal' magazine. But then I got tired of their new stuff, and trying to keep up with all their arcane outtake tracks on CD releases. And post 9/11, I really diverged from them, politically. Too much boring, tired, liberal hatred. But 'Licensed to Ill' and 'Paul's Boutique' will live forever in hip-hopdom.
By the way, everyone here. There was a great little book on the making of 'Paul's Boutique.' It's one of the 33 1/3 series of books, and the author is Dan Leroy. Check it out, if you can get a copy. Really peels back that era.
what does emoMatt like? guessing you're a big Nickleback fan.
can listen to Paul's Boutique anytime. have gone back to it time and again for 20 years now. never gets old. one of the greats… though it was Check Your Head that really got me. was lucky enough to see them many times in this era in NYC venues no bigger than a few thousand people.
They stayed at a hotel I was working at. They had severly trashed the last two hotels they were at, do the management was running very tight security and not letting anybody in who wasn't a registered guest. They weren't very happy about it but we didn't really care. I was personoly only vaguely aware of them. The youngest one was walking around the lobby with a whiskey bottle and drinking it straight down. I heard that later on he nearly died from alchohol poisoning.
I have the Pixies' Doolittle 33 1/3 book… its great. gotta pickup the Pauls Boutique. thanks.
As a teen of the '80s and the kid of '60s hippie-types, I like to say: My parents generation might've fought against the Vietnam war and fought against The Man, but my friends and I fought against our parents who became The Man and the right to not take ourselves too serious… we fought for our right to party.
I was sort of kidding as I was writing this, but maybe not so much.
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I remember when the Beastie Boys toured with Madonna. Wow, I really am getting old :O
These guys were great when they came out, and what a show. I love a band with a sense of humor… and they were like a parody of white rappers… before there WERE any white rappers, lol
Wasn't theft IMHO. I'm thinking it is a tribute.
My pleasure. Enjoy. There are also a few sites that do nothing but try to list all the samples and references woven into Paul's Boutique. That album created a copyright mess that took decades to clean up, and for those sorts of reasons, there will probably never be another album quite like it.
Something bad already did happen. He sits in the oval office.
funny thing is in the Hip Hop world no one believed they were parody, they proved themselves as serious hip hop artists.
Their first three albums are masterpieces, and all amazingly different from one another.
Ill Communications has several good songs, but it's just about impossible to listen to all the way through. Their egos got so big they thought if they farted on tape it was musical genius.
I haven't bought anything from them since then, and nothing I've heard on the radio convinces me that that was the wrong decision.
I'll always have those first three, though…
I've always considered them a parody group as none of their hip hop "act" was organic. It was all contrived from the outside looking in to appear cool and "street" when in fact they were three coddled, well educated, white kids that came from very secure backgrounds and privilege. To me they were always a new form of tribute band and their tribute was to a sub culture that they were never connected to. To me, back in the day, they were a hair away from being offensive to the poor and working class whose music was truly original and reflected the daily conflicts, cause to cry, be angry, or celebrate as a result of their place on the American cultural food chain. They are a truly gifted and successful tribute band. God bless them and continued success. But, organically grown, they are not.
aww come on, do I really have to say this– the beastie boys suck beyond belief.
In total agreement with your disdain for the "victim" view that many women wear like a badge of honor… It's deplorable…
Ah, the Violent Femmes! I know, you just briefly mentioned them but, I am a huge fan. Gordon Gano has a new band called Gordon Gano and the Ryan Brothers-Even better, he's gone back to his Conservative roots. Check out "Better Than you Know" and "Judge to Widow"from Under the Sun- It could very well be a Tea Party Anthem!
Anyone who loved the Violent Films and re-found their morale base after a brief stint in leftist land will adore this album!
Ack. I must admit to detesting rap and hip-hop. I was in a rock band in NYC when the Beasties hit – and I was an acquaintance of Tom Silverman – and they were just using the then-new sampling tech to rip off classic rock bands – as all rap/hip-hop "artists" do – and it just seemed so lazy, sleazy, and anti-musical to me. It can take a good engineer and an assistant or two several hours to mic and EQ a drum set, set up and program the reverbs and other effects, and then these morons just come along and rip off all that work without attribution by pressing. "Rec" on a sampler. Sorry, but that will always stick in my craw.
But hey, Tom got rich, the Beasties got famous, and I'm still an unknown composer, so what do I know. Guess I should have taken the path of least resistance too.
I consider a tribute something more along the lines of Zep’s “Travelling Riverside Blues.” Page used some of Robert Johnson’s style, and Plant borrowed some of his lyrics. Even though it’s done in hip hop all the time, taking the actual recorded work of another artist and using it the way they did just bothers me.
I heard that the surviving members of the band took legal action against the Beastie Boys for their use of the track. So if it was really a tribute, Zep didn’t seem to appreciate it very much.
The reason they did a 180 was because during the big summer concerts like Woodstock '94 and others, women were getting raped in the crowd while the bands were performing, and nobody stopped it. So yeah, the audience really did need to stop treating the women like crap. The band was pretty horrified by the accounts they were hearing, so they started speaking up about treating women with decency.
De La Soul and Public Enemy were slightly better at sampling. However, the Beastie Boys made it into their second decade as a viable act which is ANCIENT by hip hop standards.
So they handled excess not so well. Concur. The last thing I am going to do is to put me above them. Humans are flawed. With an unlimited amount of cash and chicks and drugs what else would you expect? Humans are flawed.
Ben Shapiro is right too.
But what I don't want from the Boys is some pathetic embrace of the people who perpetrate the Progressive Movement who ultimately would stifle what made them a success. I don't mind opinion. I LOATH hypocrisy. And they don't get to take that train and ride the tracks too.
They backed the only guy. But who can blame them? The Dude lied to everyone just like Bush. If they can't come out and man up then Licensed to Ill is set for double speak. If dude in office were a Rhino….
Whatever. wtf do they care
My disdain isn't so much for the women as it is for the men who treat women like children in order to (they think) prove their feminist bonafides.
See also, Eddie Veder.
Agreed. Best rap album and one of the best albums ever.
Check out Zachariah and the Lobos Riders' version sometime. Puts the Gourds like-minded take on "Gin and Juice" to shame.
http://www.myspace.com/zachariahandthelobosriders
Are there any adults writing on this site? Are there any comments that aren't from sycophantic fans? Talk about arrested development. Grow the f..k up. Anything beyond "they were/are good/great" is embarrassing. To pontificate on a derivative, watered down, cheap imitation is bizarre. It is as if I'm reading comments on "The Monkees" by people who were too young or out of touch to realize that they were a goof. Yeah, they made some toe tapping bubblegum songs but they were never a bubblegum group. They were a contrived bubblegum group that feigned it so well that they actually put out some decent top 40 songs. To devote this much scrutiny of BB as if they were the genuine article is akin to a study of the Monkees as if they were the Beatles. Effen intellectual amateur hour on Big Hollywood these days. Andrew, please allow any more folderol like this.
Can you seperate the art from the artist.? I believe amid big controversy the Jerusalem Orchestra played a Wagner Symphony. Wagner was a jew hater and favorite of the 3rd Reich. The Beastie's exhibited the same youthful energy that kis have been feeling for 1000's of years.
Hell yeah. I love the Beastie Boys but honestly, Licensed to Ill is probably my least favorite BB album. Paul's on the other hand is simply amazing and an album which would be far too expensive to make today.
Well, yeah, I can, and I own three Beastie Boys albums (Licensed to Ill, Paul's Boutique, and the one with Sabotage (the name escapes me).
But separating the art from the artist doesn't mean I can't mention the part where they act like douchebags.
Pauls boutique is their best I think.
Many drunken nights bumpin the Beasties
I don't think we are disagreeing, my friend. They did act like douches, probably still do to some degree, but hopefully it is less now than then. I guess we are just coming at things from slightly different viewpoints. I have lived a life that has victim spraypainted on it in neon, and DESPISE the whole women need protecting thing. We make our decisions, good or bad, then should buck up and live with whatever the outcome. Maybe the BB shouldn't be featured on a conservative site, I dunno, that's for others to decide, I just know I really like their music.Oh, and I still love ya.
I just noticed you wrote1985, but unless I'm mistaken, the album wasn't released until '86.
Nah, you weren't kidding…
One of my favorite (of MANY):
"…'Cause I'm out on a mission, a stolen car mission
Had a small problem with the transmission…"
From "Looking Down the Barrel of a Gun"
These guys rocked (and still do).
Paul's Boutique is classic!!!! That whole album rocks!!!! Left "rap" after House of Pain and Cyprus Hill, never looked back…….
Hahahaha!!! Cumberland Mall!!! The dirty south!!! Yes yes, good times. Sadly Cumberland could easily be used as a filming location if they ever decided to make a "Boyz in the Hood" sequel nowadays.
Check Your Head is still my favorite.
Or maybe they just grew up.
YES. Check Your Head is amazing.
Bought it as a LP. On my turntable when my stereo was stolen. Bought it as a cassette and had it as contraband in Basic Training in 87. Also Stolen. Still have the CD and it's on my iPod. Love playing No Sleep Till Brooklen on Guitar Hero. One of my all time favorites.
Rick Rubin really helped to cement this record into history. It was his creative production along with the lyrics that set this record apart from other rap or rock records at the time (and since then too).
Rick Rubin has gone on to produce some of the most memorable records and tracks since then including, 1991's Blood Sugar Sex Magic (Red Hot Chili Peppers) and one of my favs, 99 Problems by Jay-Z.
The questions then is was License to Ill a 5/5 because of the Beastie Boys or was it the work that Rick Rubin on the board that made it a recoed to remember? My vote is Rick, simply because the Beastie Boys really haven't been able to recapture that magic in the last 25 years.
Hello Nasty was always my favorite album of theirs. It's got all the fun lyrics that the Beasties are known for, but with a few knew tricks thrown in ("3 MCs and 1 DJ" and "Body Movin"come to mind).
I was in the USAF, stationed in Holland when Licensed to Ill was popular. I connected with it instantly. No other music listenedd to by people of no color (whites) had any amount beat to it. So, I was listening to rap when it was WAY uncool for white people to listen to such things. I remember getting looks from my friends that was a mixture of pity and anger. But I didn't care… I was a "beat" kind of guy. I didn't care who the music "belonged" to.
Then the Beasties hit and my white friends were STILL not with it. I couldn't believe it. The mixture of rock and rap was intoxicating. I had every lyric from every song on that album memorized. I still think it's probably in the top 20 music albums of all time. It was just incredible from start to finish. I got to see the inflatable penis concert when they were in Holland. It was soooo hilarious. I just couldn't believe it was happening. I had no clue that was part of the act, since we didn't have access to the current news like you do today with the internet. Just blew me away, it was that great.
Memories…
I can recall the Beastie Boys appearing on Soul Train around this time and the dancers did not know how to react to them. Don Cornelius thought they were great, but the audience in the studio was not so sure. It was high comedy indeed to see these guys trying to act all "street" on Soul Train.
Can't argue with that, Rick Rubin is a total genius.
Don't be so pompous! Lighten up! You sound like a bitter old man.
Hell to the yeah! This is great that you're going to be profiling the Beastie Boys…I remember all the things you mentioned…even the rumors of the Def Jam answer album…which sounds pretty awesome if Chuck D and the Bomb Squad did produce it. Remember "Tougher Than Leather" movie? The Beasties had a cut on that film called "Desperados" which is certainly the last of the "Licenced to Ill" version of the BBs. Would be nice to catch up to that song and get it into itunes.
A little harsh on "Krush Groove" but I feel you. I'll sign up to produce a remake after my latest flick becomes a hit, so line it up
Nice article and definitely looking forward to the "Paul's Boutique" article.
-Martay
The Hip-Hop Wiz
They may have originated as a novelty act "Cookie Puss" was indeed a weird record that kind of hints that they were putting on their Hip-Hop personas as a lark. However, their music is classic and certain cuts are free from any pretention and pure hip-hop. So they grew into being hip-hop artists and certainly earned the respect of their peers of that era regardless which pretty much would nullify any of our "takes" on the situation.
-Martay
How watered down does it seem these days?
By todays standards the Beastie Boys efforts seem Herculean, do you not agree? Nothing watered down about it then or now.
-Martay
Not really, I go to Cumberland from time to time and it's about the same as its always been.
-Martay
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