“…but when I became a man, I did away with childish things.”

Uhm, no. The whole point of becoming an adult is not to do away with childish things but to get away with childish things. Yeah, sure, in my balding middle-age I’ve given up a few childish things like immunizations and optimism, but other than that most of my free time is dedicated to junk food, sitting too close to the TV and watching “things that are bad for me.”

And Bruce Lee movies. A regular rotation of Bruce Lee movies. Especially “Enter the Dragon.”

In the mid-to-late ‘70s this eleven year old would pack a lunch, grab his allowance, lie to his parents about going to the museum and jump on a downtown bus for a full day of losing himself in whatever schlocky, R-rated grinder was playing that Saturday afternoon. It was a glorious rotation of cheesy horror, kick-ass blacksploitation, urban actioners, and poorly dubbed kung-fu genre flicks, and before my family would move far away from the bus lines, the two best years of bang-for-the-buck movie-going I would ever experience. (more…)

Acting’s in the eyes and regardless of the role Jimmy Cagney’s eyes always screamed “caged.” Whether playing George M. Cohan or some middle-aged Coca-Cola executive, watching Cagney is like watching the lit fuse of a firecracker and whether it was with an explosion of song, dance or violence, Cagney never disappointed — he went off. In “White Heat,” director Raoul Walsh’s magnificent closing chapter in a magnificent two-decade series of Warner Brothers’ gangster pictures, Cagney again explodes …only this time, literally.

Jimmy Cagney in the early 1930s

Produced in 1949, within just a few minutes “White Heat” announces itself as something unlike anything that came before starting with the introduction of Verna Jarrett (29 year old Virginia Mayo), a striking, almost regal beauty shown fast asleep in a close up. Walsh immediately knocks the bark off his perfectly groomed leading lady by having her snore like a sailor after a three day bender. The message is clear: don’t believe everything you see. In just a few more minutes things will move even further beyond normal and straight into disturbing.   (more…)

8pm PST - The 27th Day (1957) – Aliens give five people from different nations the power to destroy their enemies. Cast: Gene Barry, Valerie French, George Voskovec, Arnold Moss Dir: William Asher BW-76 mins, TV-PG

What makes the “The 27th Day” unique from the more renowned 1950s sci-fi flicks is how the story takes a few wild philosophical turns you never expect, especially if you’re familiar at all with the genre. Everything starts out like “The Day the Earth Stood Still,” with one of those morally superior aliens coming to tsk-tsk mankind for our warlike ways as though the reasons behind the Cold War didn’t matter, but then ends in a surprising but emotionally satisfying fashion that avoids all that cynical moral relativism which is not only unjust but cliche. (more…)

11pm PST – Bugsy (1991) The famed gangster running the mobs in Los Angeles tries to turn Las Vegas into a vacation paradise. Cast: Warren Beatty, Annette Bening, Harvey Keitel, Ben Kingsley Dir: Barry Levinson C-136 mins, TV-MA

Warren Beatty and Annette Bening smolder like Bogie and Bacall in a superb film that only gets better with each passing year. “Bugsy” is one of those rare period pieces made over the last 20 years where the casting’s so perfect no one looks silly in a fedora. Real grown ups placed in a beautifully designed production that never breaks the spell of time and place. (more…)

7pm PST - You’ll Never Get Rich (1941) A Broadway dancing team splits up when the male dancer is drafted. Cast: Fred Astaire, Rita Hayworth, Robert Benchley, John Hubbard Dir: Sidney Lanfield BW-89 mins, TV-G

Those 63 seconds say more about this charming film than any number of words ever could. Astaire and Hayworth were giants because in a simple scene with simple choreography, simple costumes, a simple setting and simple dialogue they still somehow managed to completely win you over. The way Hayworth looks at Astaire for those first few seconds is absolutely priceless. You can’t write chemistry and you can only barely direct it. What you need are movie stars, and Fred and Rita are immortals.

9pm PST - Sunrise (1927) – In this silent film, a farmer’s affair with a city woman almost destroys his life. Cast: George O’Brien, Janet Gaynor, Margaret Livingston, Bodil Rosing Dir: F. W. Murnau BW-94 mins, TV-PG

Set your TiVo and prepare yourself for a silent film for those who don’t think they like silent films — what you might call a gateway drug.

Studio chief William Fox brought F.W. Murnau to Hollywood and practically handed his entire studio over to the German director, promising him anything he needed to make the film he wanted. The result was a commercial disappointment, but a pure masterpiece, easily one of the five best films ever made, and something so emotionally haunting it will stay with you for days afterward, or in my case, forever. (more…)

11:15am PST -  Alamo, The (1960) – Davy Crockett and Jim Bowie join the fight for Texas’ independence from Mexico. Cast: John Wayne, Richard Widmark, Laurence Harvey, Frankie Avalon Dir: John Wayne C-203 mins, TV-14

John Wayne felt it was important enough to tell the story of the brave men of the Alamo that he nearly went bankrupt to fund this dream project he produced, directed, and starred it. This was something he willed into existence, forced into being using every ounce of juice he had as the biggest movie star in the world. Still, for the most part, he was out there on a limb, all on his own and it would take more than a decade of re-releases before the film would earn enough to call itself profitable. The film was popular enough, just too expensive. It was also nominated for 6 Oscars, including Best Picture. (more…)

3:15pm PST - Hell is for Heroes (1962) – A small U.S. squadron holds off the Nazis in a desperate last stand. Cast: Steve McQueen, Bobby Darin, Fess Parker, Harry Guardino Dir: Don Siegel BW-90 mins, TV-PG

No classic, but damn close and certainly a tough, engrossing WWII actioner, as though director Don Siegel teamed with Steve McQueen could come up with anything else. My favorite scenes involve a very young Bob Newhart putting the telephone bit that made him famous to good use as he fakes phone calls he knows the enemy is listening to in order to create the impression just a few guys, cut off and badly out-numbered, are something just a tad larger. (more…)

There’s much to love about TCM’s Mighty Robert Osborne. His introduction to an evening’s film will frequently offer up an insight that makes a repeat viewing essential, and his summation after the fade is always a perfect capper. Osborne’s warm dignity, passion for classic cinema and film knowledge is second to none, but that wouldn’t mean a thing if he lacked the class required to keep politics out of it.  

Reagan, Jane Wyman, and Wayne Morris in Brother Rat

One of the primary elements that makes Turner Classic Movies so special is its lack of politics. Regardless of the film he’s introducing, Osborne keeps everything within a historical context even if what’s on that night’s schedule is political in nature. TCM is one of the great sources of pleasure in my life, and were it to go off on some ideological deep end… I don’t even want to think about it. (more…)

10pm PST - Bridge On The River Kwai, The (1957) – The Japanese Army forces World War II POWs to build a strategic bridge in Burma. Cast: William Holden, Alec Guinness, Jack Hawkins, Sessue Hayakawa Dir: David Lean C-162 mins, TV-PG

Every time I re-watch David Lean’s Best Picture winner, the film’s cynicism always surprises. It shouldn’t. After all, William Holden carried cynicism as comfortably as an overcoat, but the film’s theme is duty and Shears (Holden) wants no part of his, in a fit of pride, Col. Nicholson (Alec Guinness), loses complete sight of his, and in order to do his, Col. Saito — the Japanese P.O.W. camp commander – must forfeit his own pride. (more…)

10:45am PST – Runaway, The (1961) – A priest and a dog help a young delinquent find a new lease on life. Cast: Cesar Romero, Nacho Galindo, Chick Chandler, St. Mike (A Greyhound) Dir: Claudio Guzman BW-85 mins, TV-G

A four decade delay in getting your film before the public has to be frustrating, but you could do worse than having The Mighty Robert Osbourne be the first to present it to the world. After forty-plus years of languishing in some vault, “The Runaway” finally premiered last November on Turner Classic Movies. A friend of mine who knows the filmmaker alerted me, and I was glad he did because the film is charming and as an added bonus casts star Cesar Romero in a rare straightforward, subdued role as a Priest. (more…)

5pm PST - Dark Victory (1939) – A flighty heiress discovers inner strength when she develops a brain tumor. Cast: Bette Davis, George Brent, Humphrey Bogart, Geraldine Fitzgerald Dir: Edmund Goulding BW-104 mins, TV-PG

Classic Bette Davis melodrama filled with too many story twists to count, a miscast Humphrey Bogart and perfectly cast Ronald Reagan as a playboy drunk all too aware of his own shallowness. Davis puts all she has into her role (one she fought for) as a rich socialite thrown on an emotional rollercoaster after receiving a death sentence due to one of those movie tumors which allows for maximum dramatic impact and the all important ticking clock. (more…)

5pm PST - Stage Door (1937) – Women at a theatrical boarding house try to make their big break happen. Cast: Katharine Hepburn, Ginger Rogers, Adolphe Menjou, Gail Patrick Dir: Gregory LaCava BW-92 mins, TV-G

Because it conflicts with Big Hollywood’s live-blogging of the Academy Awards, under penalty of our disapproval and no small amount of pouting, you’ll have to set the DVR for this classic gem containing more bona fide female stars than you’re likely to see during all nine hours of tomorrow night’s Oscar telecast. (more…)

7:30am PST - Battle Of Algiers, The (1965) – Algiers revolts against the French Foreign Legion. Cast: Jean Martin, Yacef Saadi, Brahim Haggiag, Tommaso Neri Dir: Gillo Pontecorvo BW-121 mins, TV-14

I’m embarrassed to admit I’ve never seen this. I have seen attack ships on fire off the shoulder of Orion and C-beams glitter in the dark near the Tannhauser gate, but somehow this one got past me.

Good thing, then, we have our own Robert Avrech, who wrote a masterful two-part deconstruction of the film just last month titled, “Learning From the Real Battle of Algiers.” Here’s the opener: (more…)

Noon PST – Anatomy Of A Murder (1959) – A small-town lawyer gets the case of a lifetime when a military man avenges an attack on his wife. Cast: James Stewart, Lee Remick, Ben Gazzara, Arthur O’Connell Dir: Otto Preminger BW-161 mins, TV-PG

Mature, very well-acted, classic courtroom drama, painstakingly directed by Otto Preminger and just as watchable a second time because knowing the outcome of a great film, even one that climaxes with a verdict, takes nothing away from well-crafted characters, top-notch dialogue, and individual scenes that become living things all on their own. (more…)

9am PST - Boomerang (1947) – A prosecutor fights to prove the defendant in a scandalous murder case is innocent. Cast: Dana Andrews, Jane Wyatt, Lee J. Cobb, Cara Williams Dir: Elia Kazan BW-88 mins, TV-PG

Here’s a treat for you. Elia Kazan directs this tough, little tightly-paced (88 mins!) hickory knot of a docu-drama starring The Mighty Dana Andrews and just as Mighty Arthur Kennedy. No time is wasted in getting to it. The story opens in broad daylight on a busy street and before you can say, “What a lovely little town,” a Priest has his brains blown out and the manhunt is on. Kennedy, at his sneering, contemptuous best, confesses and is prosecuted by State’s Attorney Henry Harvey (Andrews), but something’s amiss and soon, all instincts for what’s good for him to the contrary, Harvey finds himself in the awkward position of having to prove the man’s innocence. (more…)

2:30pm PST - Agony And The Ecstasy, The (1965) – Michelangelo fights censorship and an autocratic pope to paint the ceiling of the Sistine Chapel. Cast: Charlton Heston, Rex Harrison, Diane Cilento, Harry Andrews Dir: Carol Reed C-134 mins, TV-PG

When will you make an end?

When I am finished!

History shmistory. It doesn’t matter how true this beautifully realized story of the painting of the Sistine Chapel is. What director Carol Reed wants is to explore the human toll paid by the artist and those around him as the internal and external forces necessary to create timeless art play themselves out.    (more…)

7:30am PST - A Place in the Sun (1951) – An ambitious young man wins an heiress’s heart but has to cope with his former girlfriend’s pregnancy. Cast: Montgomery Clift, Elizabeth Taylor, Shelley Winters, Anne Revere Dir: George Stevens BW-122 mins, TV-PG

When you hear the word “nuanced” from Hollywood today, dollars to donuts they mean “immoral,” as in, we’re going to appease some terrorists and sexualize young children and call it “sophisticated.” Whether they know it or not (and I think they do), those particular plot points don’t represent “subtle shades of meaning,” they represent appeasing terrorists and sexualizing young children. (more…)

7am PST - Elmer Gantry (1960) – A young drifter finds success as a traveling preacher until his past catches up with him. Cast: Burt Lancaster, Jean Simmons, Arthur Kennedy, Dean Jagger Dir: Richard Brooks C-147 mins, TV-PG

Smart, sophisticated and complex look at religion and those who spread it. Honest, but never cynical, critical, but never unfair, “Elmer Gantry” is as satisfying a look at faith, the faithful and their shortcomings as has ever been depicted on the big screen. (more…)