According to Michael Moore’s tweet (and everyone on MSNBC and CNN), President Barack Obama is correct to force the Catholic Church to offer insurance that provides free birth control, sterilization, and the Morning After abortion pill — because “the law is clear” about “equal access to birth control for all women no matter where they work.”

Really? There’s a right to free birth control through your employer? Liar.

But what Moore is doing here is what Obama and his media minions are doing. They’re turning a government mandate that violates the First Amendment into a “rights” issue.

What Obama is attempting to do to the Catholic Church is no different than creating a federal mandate that would require every Islamic-run business to provide pork rinds in their vending machines — because people have a right to equal access to fat free foods.

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Yesterday, the creators of the hit show “House” announced that at the end of this, its eighth season, Dr. House and his cast of characters would fade into the distance.

“The decision to end the show now, or ever, is a painful one, as it risks putting asunder hundreds of close friendships that have developed over the last eight years,” said executive producers David Shore, Katie Jacobs and Hugh Laurie, “but also because the show itself has been a source of great pride to everyone involved.

The producers have always imagined House as an enigmatic creature;  he should never be the last one to leave the party.  How much better to disappear before the music stops, while there is still some promise and mystique in the air.”

Now’s as good a time as any for a post-mortem on one of the quirkiest, most interesting character shows of the last decade. “House’s” focus on a thoroughly unlikeable character was risky, and it paid off; the creators’ decision to make him a thoroughgoing atheist constantly at conflict with others subtly made the case for the bankruptcy of his ideology.  Or, at the very least, it offered philosophical contrast.

Most famously, “House” featured a very pro-life episode in 2007, “Fetal Position,” in which an unborn child reached out of the womb and touched House’s hand, mirroring the famous photograph. That was mirrored by a pro-choice episode that same season that made the case for abortion for a religious rape victim. That was House’s style.

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Conservative movies can rock the box office, as anyone who so much as glanced at the balance sheets for “The Passion of the Christ” can attest. But a new study by Movieguide, a faith-friendly film outlet, claims the big picture is far more positive for movies promoting patriotism and faith.

The Hollywood Reporter:

The Movieguide report rates movies using more than two dozen criteria, such as whether a title promotes capitalism or socialism or if it promotes or denigrates biblical principles. Violence, sex, political correctness, revisionist history, environmentalism, feminism, homosexuality and more hot-button political issues all are taken into consideration.

This year’s report concludes that seven of the top 10 films of 2011 scored high on Movieguide’s index and therefore qualify as films with “strong or very strong Christian, biblical, moral and redemptive content.”

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As much of the rest of Hollywood dutifully sides with an abortion mill (responsible for killing more unborn women than Stalin), over a respected foundation that has done more to fight breast cancer and save women’s lives than any other, one high-profile star isn’t afraid to swim against these left-wing Tinseltown hordes:

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Ellen Barkin, Roseanne Barr, John Legend, Lance Armstrong, and many others have pledged to not only end their support of Komen, they are also urging others to do the same. But that’s how the left thinks. First off, how dare a private charity make a private decision (so much for “choice”). Secondly, you can’t support both for heaven’s sake, Harvey might not invite you to his next shindig.

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In May 2010, New York City Mayor Michael Bloomberg posited that the individual who packed a Nissan Pathfinder full of explosives and parked it in Times Square was likely a homegrown American “with a political agenda who doesn’t like the health care bill or something.”

Fortunately, the car bomb did not detonate.

The terrorist turned out to be Faisal Shahzad, a Pakistan-born U.S. citizen. And, not surprisingly, Shahzad wasn’t upset about the health care bill. After pleading guilty in court he said, “I consider myself a Mujahid, a Muslim-soldier.” He was upset, as he put it, over “American occupation of Muslim Lands.”

Shortly after the attack, Bloomberg prematurely asserted that there was no evidence suggesting the bomber was part of any recognized terror network. Shahzad later told the court he trained with the Pakistani Taliban to learn bomb-making and other related skills.

Could it be that Bloomberg has underestimated the threat of Islamist terror, or is there another agenda?

The issue has again become relevant in recent days. The New York Times ran a series of articles and editorials blaming the NYPD for using the film The Third Jihad: Radical Islam’s Vision for America as part of their counter-terrorism training. (more…)

In preface to this critique, it’s important to say that there is no such thing as a perfect Christian; Jesus Christ, the God Christians follow, was the only perfect human being, which is why true Christians believe faith should be placed in Him alone.

With that said, it was after the Jesus Movement of the ’60s and ’70s, during the 1980’s that many non-denominational churches sprouted up all over America, some of them overseen by self-appointed pastors and leaders who were unaccountable to anyone but themselves. As a result, in the Christian community, young adults, desirous to serve God, were drawn into congregations with showbiz-style charismatic leaders who exploited the enthusiasm and commitment of individuals who, at that time, were too immature to differentiate the counterfeit from the divine.

Kids “raised” in many of these churches responded harshly to hype and unbiblical legalism and emerged from the experience tattooed, smoking, drinking, and toting around babies born out of wedlock. Lost between redemption and confusion were grossly cynical parents who realized they wasted precious years serving man and not God and a generation of kids who sang with Psalty, then grew up eager to partake of forbidden fruit.

Similar scenarios were common in churches across America and could explain the disturbing phenomenon presently on display where the worldly success Christian pop stars achieve is often accompanied by a public fall from grace. Two of the most obvious examples of church kid tragedy include the sorry lives of Jessica and Ashlee Simpson and train-wreck-waiting-to-happen Katy Perry. (more…)

Hard for me to imagine, but I am now 41. Amazing. It seems like yesterday my poofy mullet and parachute pants were all the rage, and Prince had a #1 hit on the radio. Now I’m married to the most beautiful woman, raising six children, and living the American dream. Our country has changed so much since my days of fighting with Carol and Ben on TV. America has always been known as “the land of the free” and “the home of the brave.” It’s the richest, freest nation the world has ever seen. Everyone wants to live here. But as I look around, I’m left with a sinking feeling that America is losing her way. Big time. The soul of our country is sick, and history shows me we are headed for disaster if we don’t change course now.

I’ve been looking around for answers, but all I hear is noise. Everyone is pointing fingers at the Left or the Right, blaming Hollywood or Capitol Hill. Time is flying by too quickly for petty arguments. My children’s future won’t wait. I’ve got to do something now.

Here’s my hunch: Could it be that we have simply forgotten what made us such a great nation in the first place? So many people are waiting around for our leaders to come up with a grand plan to save our nation. But is that really how America got started? What if things actually work the other way around? What if real change doesn’t start at the top but at the bottom? What if the best place to begin transforming our country is not the Oval Office but the dinner table?

For the past year and a half, I’ve been making a film called “Monumental,” and I am thrilled to announce that it’s coming to theaters on March 27. We are creating a live, one-night national event in 500 theaters where audiences can experience a monumental moment together. Then we will release the film in theaters in select cities, while providing helpful new resources to families, churches, and schools who want to go further with what they’ve experienced in the film.  (more…)

When people unfamiliar with Sherwood Baptist’s line of movies such as “Facing the Giants” and “Fireproof” see their trailers, they can sometimes get the impression that these independent films are very emotional inspirational dramas. And while that’s true, the films also contain a good chunk of humor, some slice-of-life zaniness from the culture of Albany, Georgia, where the church is located and the films are produced.

Thus, it’s with pleasure that Big Hollywood presents this exclusive clip from “Courageous,” the latest film by director Alex Kendrick, available now on DVD and Blu-ray. Have a look at some of the bloopers, flubs, and just plain fun had on set during the film’s lighter moments:

Writer/co-director Gavin O’Connor’s “Warrior” opens with an emotionally bruising scene that not only sets the tone of this intensely moving story but beautifully uses silence and what remains unspoken to communicate a gulf so wide between an estranged father and son that it seems impossible to bridge. Dad is Paddy Conlon (Nick Nolte), a bear of a man who traded in the drink for the forgiveness of Jesus Christ. Today, alone in his beat up, working class house, his only companion is the terrible cost abusive alcoholics pay for their sobriety, the memories of the physical and mental abuse inflicted on a family eventually lost.

The son is Tommy Conlon (Tom Hardy), a former Marine just home from Iraq, who didn’t drop by after fourteen years to see how dear dad was doing,. He’s here to hurt the old man in every way possible without laying a hand on him. Tommy expected to find a drunk, and Paddy’s sobriety only angers him more. Dad doesn’t deserve forgiveness, Christ’s or anyone else’s. Tommy is a seething young man made dysfunctional by the baggage he carries around like the bulk of his muscle — an unreachable force of anger and bitter resentment that extends to his older brother Brendan, as well.

Brendan didn’t run away from his father like Tommy and his mother. He was older, had a girlfriend, and had already planted the seeds of a life. Eventually, he married that girl, went to college, became a teacher, had kids, and bought a house. Though they’re very different in so many ways, Tommy and Brendan do at least have one thing in common. No matter how many days sober, they will never forgive their father.

Paddy is a former martial-arts trainer, and this experience is the only thing these three still have in common. For reasons I won’t spoil, Tommy needs to make some quick cash, and that means getting back into the octagon and the competitive world of mixed-martial arts. The same goes for Brendan (a former UFC contender) who refuses to accept charity or file a bankruptcy to save his family from financial ruin. “I don’t do things that way,” he tells a banker, and though he’s a little long in the tooth, into the octagon he goes looking for whatever prize money he can scrape up.

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Mark Wahlberg is a Roman Catholic who goes to church every day to pray to be a better servant of God, a better man.

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Refreshing interview with John Heder courtesy of Vulture:

The best description you’ll read of HBO’s beautifully produced original series “Boardwalk Empire” didn’t come from me. It’s actually something I’ve read in many places and the perfection of the description comes from the simplicity: good television that could be great. With a huge budget (the pilot reportedly cost $18 million), the directorial credentials of Martin Scorsese and creative credentials from a number of “Sopranos” veterans, this is the kind of television that can’t go wrong and, to be fair, it doesn’t. It just isn’t what it could be.

Based on the real-life “Nucky” Thompson, a political and crime boss who controlled Atlantic City during prohibition, the first season’s thirteen episodes start off quite strong through the efficient introduction of numerous  characters, their multi-layered stories, and an impeccable production design and cinematography that’s as good as anything you’ll see in a big-budget theatrical film. A slightly brighter “Road to Perdition” springs to mind.

If nothing else, the producers did a superb job of not only meticulously recreating an era many of us are already familiar with through films and photographs but also casting a feast of outstanding actors who actually look as though they belong there. Let’s face it, there aren’t many actors today who don’t come off as Bugsy Malone-ish in a fedora. But creator Terence Winter and his team definitely chose well in the casting department.

As personified by the great Steve Buscemi, Nucky Thompson is a brutal, put upon, wise-ass willing to do anything to hold onto power — a power increased ten-fold with the passage of prohibition. Complicating his life is his dumber, ambitious brother Eli (She Whigham) and his ward Jimmy (beautifully played by Michael Pitt), who’s also ambitious, a little bloodthirsty, and a little nuts. Naturally, rival gangs regularly stick thorns in Nucky’s side, including what will someday be the Capone Gang out of Chicago and New York’s Lucky Luciano.

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The new “found footage” horror entry, “The Devil Inside,” has plenty of problems as a stand alone film. My colleague Christian Toto points out many of them here. Reportedly, Paramount purchased the exorcist story for somewhere around a million dollars, which means that even after the costs associated with advertising, profits will be pouring in after only one weekend. Good for them; the marketing was better than the film. What’s new?

But I do think that all those involved made an error in using the film to gratuitously bash the Catholic Church. One of the few genres us Jesus freaks are still able to enjoy is the horror genre, especially as it relates to — say it with me — SATAN!, because for all the horror elements that might turn some social conservatives off (violence, etc.), our faith is at least accepted as a reality. For my money, “The Exorcist” is one of the most Christian films ever made. Bottom line: This Jesus freak loves getting the devil scared out him.

Thus, I purchased my ticket for “The Devil Inside” expecting heroic Catholic priests and the purity of Jesus Christ to be presented as the only antidote to a certain kind of evil in the world. What? Scientists can’t answer everything and fix everything? That’s not what PBS told me… with my tax dollars.

Thankfully, I can report that this marginal horror film that delivers only a very few tense moments does, in fact, star two heroic priests and Christ’s goodness. But for some reason these are “rogue” priests who work outside the church and trash it at every opportunity. You see, because the church is “hypocritical” and “bureaucratic” and “doesn’t care about people,” it no longer sanctions exorcisms, so it’s up to these two to risk excommunication and fight the devil outside the system.

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Here at Big Hollywood we often take the entertainment industry to task for its outrageous liberalism, and rightfully so. Of course it’s our job to look for the worst cases to alert you all about the nagging left-wing bias. But occasionally there are stories that are good ones and it is incumbent upon us to report those, too. This is one of those stories.

More often than not when we have news out of Hollywood about life issues it is invariably a pro-abortion tale and in the case of scientific studies, it is usually some denizen of Tinseltown coming out forcefully for unethical fetal stem cell research. The destruction of life is de rigueur out there, unfortunately.

But not this time.

You might say that this celebrity has boldly gone where no Hollywooder has gone before. You also might wince at my horrible attempt at humor when you find out that we are here today to celebrate the efforts of Eugene W. Roddenberry Jr., the son of Gene Roddenberry, the creator of “Star Trek.”

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Hollywood is like a child, a spoiled child you can’t help loving but desperately want to see do and be better. Hollywood can be cruel and petulant, small and bigoted, hateful and depraved. But every once in a while you see what it COULD be — the talent, the charm, and the ability to inspire and create joy. So we keep coming back to them in the hope that if and when Hollywood ever grows up, they will be what they could be — what they once were, so many years ago.

Today, our spoiled child is in trouble and with only the best of intentions I’m going to see if I can’t take the sting out of the boo-boo with the best advice I can offer.

1. Hollywood Needs Movie Stars, Not Brands

You can trace most of Hollywood’s problems back to the death of the movie star. At first, the industry was thrilled with this development. No movie star meant no big payday, no ego, and none of the baggage too many stahs carry with them. The industry also found that, at least for a while, they could get away with this. Audiences were still packing theatres to see pre-packaged brands developed from high concepts, comic books, novels, and television shows. Sequels, remakes, and prequels were still sure-fire. Who needs to pay Tom Cruise $30 million to run around with CGI’d dinosaurs when just as many people will pay to see Jeff Goldblum do the same?

This was all well and good until the “brands” ran out. Now Hollywood is down to “The Green Lantern” and board games like “Battleship.”

Movie stars, on the other hand, are the most reliable brands out there. People come to see them and if you have enough of them and if you keep developing them, the inventory is limitless. From the 1920s straight through to right around 1990, if you built it with movie stars, audiences would come. Hollywood didn’t need to rely on “brands” because they built pictures around their stars.

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The subtext of this unbelievably stupid article brought to us courtesy of The Incredible Shrinking Los Angeles Times, is that adultery sells on television because our society is changing to the point where we’re now warming up to the idea of marital infidelity. This is the actual subtitle of this very poorly researched piece of cultural propaganda: Cheating spouses are prevalent on prime-time TV. Blame society’s changing views on marriage and fidelity, and the shows’ need to push boundaries to succeed.

Twice as popular as “Nurse Jackie”

In other words, television is following society, not the other way around. Whatever. Here’s a snip:

Prime-time TV is starting to look like an ad for Ashley Madison, the online dating service for married folks, where the message is, “Life is short. Have an affair.”

To be sure, bed hopping as a plot point is nothing new. In fact, it’s as old as storytelling itself (see: the Bible). But the proliferation of adultery on TV — seemingly occurring far more frequently than in real life — could be the result of a perfect storm of cultural and sociological factors, industry veterans and sociologists say.

Among those factors: Cynicism about marriage is rampant, and about half of all marriages end in divorce, a number that’s remained steady for years. “Since the ’60s and ’70s, we’ve seen a general loosening of mores in this country and a cultural shift away from the core values of marriage, fidelity and monogamy,” said Julie Albright, a sociologist at USC. “People believe marriages don’t work anyway, so seeing affairs on TV kind of serves as a model for how things can and will go bad.”

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You’ll have to click on the image below to watch the video, which is legitimately clever and funny. Christianity takes a few hits, but I don’t know of any Christian who can’t laugh at his or herself as long we’re not — per the usual — being singled out by cowardly satirists posing as “ballsy.”

Thankfully, that is certainly not the case here and as expected, the very same leftists who would praise the bravery of anyone trashing Christians, are now screaming “Islamophobia!”:

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Gothamist:

While Leary is probably trying to shock his fans out of their pre-holiday stupor—fueled by a never ending stream of wallpaper Christmas tunes—we had a very tough time sitting through this particularly xenophobic one-note joke.

Islamophobia Watch:

A jaw-droppingly Islamophobic video has been posted by Irish-American comedian Denis Leary on WhoSay. Some years ago Leary took a firm stand against Mel Gibson’s antisemitism. But apparently crude anti-Muslim stereotyping is fine with Leary.

Please note that neither one said anything objecting to Leary’s shots at Christianity.

Who’s the “phobe” now?

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“Do you believe that Jesus died in the sense that if you had been there that day, you could have rubbed your finger on the cross and got a splinter in it?”

–Francis Schaeffer, The God Who Is There

I read that simple, elegant question as a senior in high school, and it’s stuck with me for almost seven years now. How profoundly that illustrates the unique historical revelation of the Gospels; instead of revealing himself through a lengthy vision or message that could only be seen/translated by one lucky individual, God showed up on earth to be seen, heard, even touched by anyone who was able. The disciples’ letters in the New Testament often reaffirm this sensory proof; 1 John refers to “[t]hat which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked at and our hands have touched.”

They saw a man walking over the deep sea; they saw the blind and lame healed; but most importantly, they saw a dead man–dead from an extremely thorough, conclusive form of murder–alive, still sporting his wounds but eating and drinking, walking and talking. Their insistence upon claiming they sensed these things led virtually all of them to a life of constant persecution and eventually execution.

It’s with that in mind that I present the end result of my obsession with Schaeffer’s question, “I Could Get a Splinter,” a song that’s far too serious for me, given all the anti-hipster hipster cred I’ve built up with constant sarcasm and above-it-all potshots. I hope that this song, as well as its B-side, “Who Could Have Known,” help you feel a little bit of wonder at the Incarnation and how God became a man so that we could be forgiven for constantly choosing our self-destructive autonomy over his perfection. (more…)

I imagine that many Americans skipped right over the Coen Brothers’ 2009 film “A Serious Man” for many reasons — not the least of which is that the title does not exactly suggest a holiday tent-pole extravaganza.  It also probably didn’t help that the film centers entirely on Jewish characters set in a Jewish community in a small American town.  Sure, there are a few million Jews here in the U.S., but I’m not telling stories out of school by mentioning there are a hundred thirty million (or more?) folks who identify themselves as Christian.

The great thing is that we can learn much from those of other faiths without sacrificing our own beliefs and, hence, the value of “A Serious Man.” The film is about faith.  It doesn’t matter how you cloak that faith in religious terms.  The Coens have made a film that speaks universally to all faiths, and even to atheists. So while it happens to be set in a Jewish world, every single thing that happens could just as easily have happened to Christians or Buddhists or Muslims or Hindus.

And that is why you should see it. No matter what branch of faith you reside in, you will find plenty to identify with in this wonderful, dark, insightful, and thought-provoking movie.

There are spoilers ahead, but for now I’ll speak in generalities and a few specifics that do not impact the viewing experience and let you know about the big spoilers.

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Asra Q. Nomani in The Daily Beast:

As an American Muslim consumer, I can say that I’ll likely buy the lumber for my son’s treehouse at Lowe’s, and I’ll switch from Expedia to Kayak. I like the company’s common sense. “We get what America is about,” Birge wrote, adding, “We would not want anyone to think that we caved to hatred.” But, as he concluded, the show didn’t pass his personal Gong Show, the 1970s TV talent show that banged the gong on stage acts that didn’t pass muster.