Singer/actor Will.i.am rallied Obama Nation in 2008 with his original song “Yes We Can.”

Turns out the performer actually meant to sing “You Better You Bet.”

Will.i.am spoke about his support for Obama during a fundraising event this week as well as why he created his own foundation to support education.

The Black Eyed Peas leader said he was inspired by the 2010 documentary “Waiting for ‘Superman,’” about U.S. public education. He said that “Superman is not coming to save no neighborhood or no education system.”

Please take a moment to digest, or better yet, diagram that sentence. Let’s move on.

Will.i.am also talked politics: He said President Barack Obama is not a “magic man,” and that people shouldn’t expect him to solve the country’s problems with “some freakin’ plan.”

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Here’s a link to Cherry Tree Media.

Politico:

You never know which Madonna is going to show up.

Sometimes, The Material Girl is the sexually charged songstress posing nude for a coffee table book or dry humping one of her tour dancers. Next, she’s the primly dressed children’s book author trying to be a good role model for her own kids.

This week, the latter piped up to chastise singer M.I.A. for flipping the audience the bird during Madonna’s Super Bowl halftime show.

Madonna has taken to the airwaves to express her disappointment with M.I.A.’s decision to flip the bird at cameras during the halftime show, calling the move a “teenager … irrelevant thing to do.” Madge was chatting with Ryan Seacrest about her performance when he brought up the incident.

To the pop star, the middle finger was simply “out of place” at a show characterized by “such a feeling of love and good energy and positivity.

M.I.A. would have better served the event by making out with another woman, apparently.

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According to Michael Moore’s tweet (and everyone on MSNBC and CNN), President Barack Obama is correct to force the Catholic Church to offer insurance that provides free birth control, sterilization, and the Morning After abortion pill — because “the law is clear” about “equal access to birth control for all women no matter where they work.”

Really? There’s a right to free birth control through your employer? Liar.

But what Moore is doing here is what Obama and his media minions are doing. They’re turning a government mandate that violates the First Amendment into a “rights” issue.

What Obama is attempting to do to the Catholic Church is no different than creating a federal mandate that would require every Islamic-run business to provide pork rinds in their vending machines — because people have a right to equal access to fat free foods.

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Clint Eastwood says audiences understood exactly what his Chrysler advertisement broadcast during Sunday’s Super Bowl broadcast meant – “let’s work our way out of [the recession].”

Those who say otherwise are missing the point, Eastwood tells CNBC in a new interview to air tomorrow during the 6 a.m. EST edition of “Squawk Box.” The following is from a rush transcript of the interview:

I’m surprised at the people who are supposed to be intelligent have interpreted it otherwise because it’s very disappointing to see that because the average person seems to get it … there are some people who make it a political element about everything you talk about from everything to where you’re dining or what on.

Eastwood also talked about out of control government spending, throwing his weight behind the bipartisan commission created by the Obama administration to the address the issue:

I was kind of amazed that they took Simpson-Bowles and assigned them this research and they come back with a recommendation which was exactly stop spending. And that everyone said, ‘that’s enough from you guys. Go home….’”

“I don’t know why the current administration assigned them to it if they weren’t going to pay any attention to it.

Kirk Cameron could have ended up as yet another sitcom star gone bad.

Instead, the teen heartthrob from the ’80s sitcom “Growing Pains” became a parent, headlined one of the biggest movie sleepers in recent memory (“Fireproof”) and today addressed the conservative conference CPAC about his latest project.

Cameron’s “Monumental,” hitting theaters next month, mourns a nation in decline and looks to the past for a brighter future. The actor turned activist told CPAC attendees why he made the film:

As I look around I get this sinking feeling that we’re off track, that there’s something sick in the soul of our country,” Cameron told those gathered at the conservative conference in Washington on Thursday. “I examine the fruit that’s hanging on the tree of America and I can see that it’s rotting. And that concerns me deeply.”

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On February 7th, the 9th Circuit Court of Appeals ruled 2-1 that the marriage protection amendment, commonly known as Prop 8, violates the U.S. Constitution. Although it passed with the support of 52% of California voters in 2008, the court said it “serves no purpose, and has no effect, other than to lessen the status and human dignity of gays and lesbians in California, and to officially reclassify their relationships and families as inferior to those of opposite-sex couples.”

From where I sit, this ruling was a travesty, not only because it discarded the wishes of 7 million Californians who voted for it, but because much of the money to overturn it came from Hollywood elites who are completely out of touch with the heart and soul of America.

Honestly, watching the decision come down from the 9th Circuit was like watching Brad Pitt and Elton John stomp all ever everything that flyover country holds near and dear to its heart. I cite Pitt and John because Pitt gave at least $100,000 to “fight the proposition,” and in Jan. 2011, John played a benefit concert in Beverly Hills that raised $3,000,000 for the same cause.

Of course, these two were not alone. Steven Bing, long time Democrat Party donor and Hillary Clinton supporter, donated $500,000 to the cause, and according to Advocate magazine, Mary J. Blige and Melissa Etheridge were right there in the mix as well. Oh, and we can’t overlook old “Meathead,” Rob Reiner, who opposed Prop 8 when it was on the ballot in 2008 and who’s been “one of the biggest fundraisers behind the legal effort” to overturn it since. (more…)

Out here in the wilds of North Carolina, I haven’t yet had a chance to see ”The Iron Lady,” but as someone who generally finds Meryl Streep’s acting self-conscious, over-affected, and showy — in other words, not acting at all — I’m rooting for “The Help’s” Viola Davis to win.

THAT was a performance, as opposed to what we’ve seen from Streep for the last two decades.

I have a very simple rule when it comes to acting: If I notice the acting, if I see the strings — you’re doing it wrong. If you break the spell and take me out of the film with all your “technique” — you’re doing it wrong. If I notice your accent — you’re doing it wrong.  Patrick Swayze’s performance in “Road House” was ten-times better than almost anything Streep’s done since 1998. That’s not a joke, either. Swayze was more convincing, and that’s what true acting is really about. The rest is nothing more than bait for foo-foo critics and shallow Academy voters.

Anyway, here’s a wrinkle in Streep’s march to another trophy:

A Weinstein Company email that appears to skirt AMPAS campaign rules by using a third party to reach Oscar voters has stirred up anger among Academy members and rival campaigners.

But the email does not violate Academy regulations, AMPAS COO Ric Robertson told TheWrap on Tuesday. One of the organization’s campaign rules, he said, “allows for media entities to send such things to valid subscribers who’ve opted into being a subscriber.”

The email in question, which went out on Tuesday morning, is not part of Weinstein’s aggressive Best Picture campaign on behalf of “The Artist,” but instead promotes Meryl Streep’s Best Actress candidacy for “The Iron Lady.”

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Madonna – love her or hate her. Some think she has no talent, while others have named their daughters after her.

Some think her career is pure marketing and her fans believe she’s a real trend setter. There has always been a wide range of opinions about this woman, an entertainer who has enough monikers to be in the witness protection program. As her personal life has evolved through marriages, children and boyfriends, her songs are what are more familiar to people.

For the first time since she became famous, she got to be the star attraction at the Super Bowl Halftime Show. What aspect of her performance did people focus on? Her voice? Nope. What she wore? Not really. Her new song? Sure, a little. Her age? Bingo, report her to AARP, stat!

How dare she try to pull off that type of show as a woman who has experienced more than three decades on the planet? Perish the thought! She has some nerve being on that stage and lifting her leg up at the age of 53. Where are her Mom jeans with the elastic waist? How could she be in high-heeled, thigh high boots when she knows she should be in Easy Spirits? This is even more of an abomination than her performance in “Swept Away.”

Doesn’t she know that woman over 35, let alone 40 in this country, are considered older than Methuselah? You mean she has no clue that she should be referring to herself as “long in the tooth” “an old bag” and a “has-been.” Doesn’t she realize that she has to grow into her date of birth by talking about things she can’t do anymore? Where is her rheumatoid arthritis? COPD? High cholesterol? She should be punished for doing a jumping jack.

Just check the reaction to her performance on social media outlets if you think I am exaggerating.

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Oprah Winfrey has more to worry about these days than just her flailing TV network.

The former talk show queen’s self-named magazine is also suffering a significant sales drop, according to The New York Post:

Newsstand sales plunged to 413,363 copies — down 32 percent from the same period a year ago, when she was selling 608,212 copies.

Winfrey’s last syndicated talk show aired in May 2011, so while there has been some softness for the past two years, this marked the first six-month stretch with no broadcast TV exposure at all. The magazine’s total circulation was also down by 5 percent, to 2,380,782.

Combine that with the dismal ratings for OWN, Winfrey’s upstart network, and you have a picture of a media titan in trouble.

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Rush Limbaugh isn’t making Clint Eastwood’s day.

The conservative talker spent a second straight broadcast mocking Eastwood’s now infamous “Halftime in America” Chrysler ad that aired on Super Bowl Sunday. Today, Limbaugh played a parody on his popular radio show to keep the story alive despite Eastwood’s protest that the commercial wasn’t meant to support President Obama’s auto bailout policies.

When somebody tells me Clint Eastwood did a halftime commercial for Chrysler, I expect it to be something like this,” Limbaugh told his 20 million listeners before audio of an Eastwood impersonator began:

Limbaugh’s is audio only, but video parodies from other sources were created for the Internet, including one from the Second City Network that appears to be a subtle attack on GOP presidential candidate Mitt Romney.

Actress Scarlett Johansson once famously swapped emails with future president Barack Obama.

Now, the curvy star of “We Bought a Zoo” is carrying Obama’s water for his 2012 campaign.

Johansson announced she’s back on Team Obama, reading off the Celebrity Apology script while chatting to The Huffington Post about her return to the Hope and Change Express:

I think people are really in dire straits and they are very reasonably and understandably upset,” she said. “I mean Obama inherited a turkey, he really did, and he’s working to… he’s fighting a kind of uphill battle in a sense and he has these past four years. And he never ran his first term as that — he was always going to be a two-term election in that sense. And change doesn’t happen overnight, you know, we know that.

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Old franchises never die. They just get rebooted, re-imagined, re-cast or re-”Bourne.”

Matt Damon’s first two “Bourne” adventures were a breath of fresh air for a stale action genre, even if they helped bring the Shaky Cam Era into the 21st century. But that third installment, 2007’s “The Bourne Ultimatum,” made it clear the franchise needed to end.

Nuthin’ doing. Hollywood simply found a new actor to take over.

Jeremy Renner,  the steely presence in “The Town” and “The Hurt Locker,” officially becomes the face of the franchise in this summer’s “The Bourne Legacy.”

No Damon, no worries if this clip is any indication. But we’re still looking for a reason to keep the franchise alive.

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El Rushbo didn’t mince words on EastwoodGate today.

Rush Limbaugh, back behind the golden EIB microphone following a one-day vacation, addressed the Chrysler Super Bowl ad featuring Clint Eastwood. And the talk show titan didn’t like what he heard.

I think he got scammed. I think he got roped into doing something he thought was patriotic and ended up being played. I do,” the conservative radio host said on his show on Tuesday. “I’m just going to give him the benefit of the doubt and suggest he got suckered into this.”

Limbaugh … said “all of this talk of ‘working together’” is something people say when Democrats are “about to get shellacked.”

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Dwayne Johnson, the actor once known by his wrestling moniker “The Rock,” couldn’t wait to Tweet about the death of Osama bin Laden.

Johnson is just as eager to share his love for the U.S. and talk about how he shows it now … and in the future. Turns out we might have another actor-turned-politician on our hands. Here’s Johnson taking about being one of the first few Americans to share the news of bin Laden’s death via social media and his future job plans:

I got friends in high places and low places. It was a very interesting day; I’m proud of our country and proud to be American….

Right now the best way that I can impact the world is through entertainment. One day, and that day will come, I can impact the world through politics. The great news is that I am American, therefore I can become President.

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The celebrities have spoken - at 140 characters at a time – to show their support for today’s court ruling striking down Proposition 8.

TheWrap.com:

Not many bold faced names expressed any outrage, which is not that surprising as Hollywood is a liberal town, after all. That was left to folks on the other end of the political aisle, such as presidential hopeful Newt Gingrich who took to Twitter to decry the decision….

Here’s a look at some of the best responses to the news.

Olivia Wilde
Woohoo!! Die Prop 8 Die!!!! 9th Circuit just ruled you unconstitutional. Next step Supreme Court!

Seth MacFarlane
Prop 8 architects: Every civil rights battle is eventually won by the oppressed party. Save your hundred mil and buy some Bud platinum.

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Small wonder the White House has tweeted approval of Clint Eastwood’s Super Bowl Chrysler commercial. From its calls for America to “be as one,” one wouldn’t know that Eastwood doesn’t approve of the Obama administration.

One also wouldn’t know that Eastwood calls himself a libertarian. For Eastwood’s speech, with its calls for unity and marching together from halftime to what I take to be a touchdown, is precisely the kind of collectivism libertarians shy away from.

This is at odds with Eastwood’s maverick persona. As a consistent Republican voter, he stands apart from the Hollywood liberal herd. When the country was cheerleading for an Iraq invasion, Eastwood opposed it on “practical considerations.” While Hollywood emptied their wallets for Obama, Eastwood criticized him.

Eastwood’s libertarianism has always slipped through via his film canon. With the sheriff bashing unarmed citizens in “Unforgiven,” Eastwood sounded a warning against gun control, then and now. In last year’s “J.Edgar,” Eastwood revealed that there was a decided terrorist threat from leftists in the post-World War I period, while at the same time showing the civil liberty abuses of Hoover.

But now, the actor’s message has moved from the honor of being one against the herd to urging us all to join one.

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Everyone knows that the typical advertisement on the Super Bowl goes for millions of dollars.  And we all wonder why the ads they produce for that money feature children peeing in pools, monkeys farting, and bungee jumping cars.  Those don’t seem like particularly good uses of company funding.

And they aren’t.  They’re commercials targeted to the younger demographic.  And as the Super Bowl itself shows, the younger demographic isn’t where the cash is.  The advertising agencies had better wake up and smell the coffee: older, more conservative audiences are the ones that should be targeted now.

The networks and the NFL get it: we’re getting old as a country.  Seven of the last eight Super Bowl halftime shows have featured Boomer and Gen X icons: Paul McCartney (2005), the Rolling Stones (2006), Prince (2007), Tom Petty and the Heartbreakers (2008), Bruce Springsteen and the E Street Band (2009), The Who (2010), and Madonna (2012)?  Perhaps the under-40 crowd remembers Madonna, but if they do, it’s in a very vague half-sleep state.

And yet America’s commercial advertisers seem to think that the most valuable audience is the 18-49 crowd.  For years, American advertising has been run on the notion that young audiences are more valuable than older audiences; that if you grab a youngster’s brand loyalty early, you’ll grab ‘em for life; and that older audiences are set in their ways.  That’s how so much liberal television has been sneaked past advertising honchos – young people tend to be liberal, and so the honchos figure that liberal television will appeal to the most lucrative demographic.  Even if more older people watch than younger people, the advertisers figure, they need to greenlight young-skewing programs to hit the target demo.

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***ADDED: Fascinating read on how, contrary to Obama/media spin, the auto bailouts failed and cost the taxpayers billions.

How did Clint Eastwood and the people around him not see the partisan storm coming with this ad? Eastwood’s a smart guy, as a Hollywood survivor and former mayor, he understands how politics works.

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Because Obama’s decided to eliminate moral hazard and socialize losses for anyone who employs the unions who fund his campaigns, Chrysler obviously wrote a thinly veiled thank you in the form of a reelection ad for their benefactor, and convinced a Republican icon to deliver  it.

Reuters:

Before he emerged in a controversial Super Bowl ad as the gravelly voice of Chrysler’s resurgence, Clint Eastwood was a critic of the government bailout that saved the U.S. automaker.

“We shouldn’t be bailing out the banks and car companies,” actor, director and Academy Award winner Eastwood told the Los Angeles Times in November 2011. “If a CEO can’t figure out how to make his company profitable, then he shouldn’t be the CEO.”

The two-minute Chrysler ad “Halftime in America” won attention for its focus on American resilience, but raised eyebrows for the way critics said it echoed one of the central themes of President Barack Obama’s reelection bid.

Eastwood, a longtime Republican who now describes himself as a libertarian, told Fox News on Monday he was “certainly not politically affiliated with Mr. Obama.”

The ad was meant as a message “about job growth and the spirit of America. I think all politicians will agree with it,” Eastwood said, according to a transcript on Foxnews.com.

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Acting legend Clint Eastwood has already tried clearing the air regarding any political fallout from his two-minute Chrysler Super Bowl ad.

Now, it’s Chrysler Group CEO Sergio Marchionne’s turn.

Marchionne told WJR radio in Detroit this morning “politics had nothing to do” with the instantly controversial clip.

Democrats and the White House embraced the ad narrated by actor Clint Eastwood that said the United States could learn from the Motor City’s economic woes, while a former adviser to President George W. Bush criticized it….

“It has zero political content,” Marchionne said. “It was not intended to be any type of political overture on our part. We are as apolitical as you can make us… I wasn’t expressing a view and certainly nobody inside Chrysler was attempting to influence decisions.