Rap Is Crap
by Ben ShapiroToday, Grammy-winning rapper T.I. (Total Imbecile? Thug Idiot?) was sentenced to 18 months behind bars for illegally owning machine guns and silencers. In the aftermath of his arrest, prosecutors informed T.I. that he could serve two decades in prison; he quickly agreed to 1000 hours of community service, touring around the U.S. talking to teens about the problems with drugs and gangs. MTV made a show about him called “T.I.’s Road to Redemption.” This from a guy who dealt drugs as a teen and got busted for coke in 1998.
Here’s the thing: no matter how many hours of community service T.I. does, it will never make up for the crap he puts into the minds of his listeners. His biggest hit is “Whatever You Like.” Here’s a sample lyric “Whatever You Like”: Late night sex so wet you’re so tight …Let me put this big boy in yo life / The thang get so wet, it hit so right.
Not surprisingly, T.I. has six children from three women. The kids, sadly, have been saddled with names out of the WTF Name Dictionary: Messiah Ya’Majesty (after Barack Obama, no doubt), Domani Uriah, Clifford “King,” Major Philand, Zonnique, and Deyjah (who will no doubt be labeled Vu sooner or later). When Clifford (T.I.’s namesake) is the luckiest kid in terms of names, you’ve got a problem.
Here’s a lyric from another T.I. song, “Big Things Poppin’“: I send ‘em missiles that’ll have you goin’ in your underwear / I tote a pair of 40’s on me so you better tone it down. Anybody surprised he got busted on a gun charge?
There are those out there who patronize the African-American community by praising rappers like T.I. Folks like John Kerry, who infamously stated, “I’m fascinated by Rap and Hip-Hop. I think there’s a lot of poetry in it. There’s a lot of anger, a lot of social energy in it. And I think you’d better listen to it pretty carefully, ’cause it’s important.” Folks like Barack Obama, who proclaims that many in the African-American community must accept more social responsibility, and simultaneously praises militant anti-Bush rappers like Ludacris as “great talents and great businessmen.”
Since nobody seems willing to state the obvious due to cultural sensitivity – after all, as Eric Holder says, we’re a nation of cowards on race — I’ll say it: rap isn’t music; rap culture is disgusting and degrading; rap creates racial stereotypes and revels in them.
First, rap isn’t music. Music has three elements: melody, harmony, and rhythm. Rap is all rhythm, very little melody, and virtually no harmony. Cultural relativists who say that Eminem is like Mozart make Barbara Boxer look like Einstein.
Second, rap culture is disgusting and degrading. Not every song, of course – the culture as a whole. It values the basest elements of human nature, from promiscuous sex to maltreatment of women to sickening violence. It’s no wonder that rappers have the life expectancies of fruit flies: by the time they’re 40 – if they hit 40 – there’s a good shot they’ll have shot somebody, been shot, been busted for hard core drugs, or acquired an STD (see this short list). The millions they earn from gullible white kids in the suburbs who just want to seem cool end up flushed down the drug/sex/fancy car toilet.
Third, rap culture creates racial stereotypes and revels in them. Many rappers (including Ice T, who now plays a cop on television) target the police for special hatred based on their alleged discriminatory tendencies. Meanwhile, rappers kill each other in gang rivalries … and then have movies made about them (see Tupac and Notorious B.I.G. – and T.I., who was involved in violent altercation with rapper Lil’ Flip and Ludacris’ manager Chaka Zulu). It provides ammunition to racists who wish to slander all black men as rap-loving violent misogynists, and it encourages ignorant and disadvantaged young black men to become rap-loving violent misogynists. Lovelle Mixon may have listened to late Beethoven string quartets when he wasn’t busy committing felonies, but somehow I doubt it.
Cultural diversity may be a wonderful thing, but rap isn’t. Liberals may call rap art, but they also call glazed poop art. They may praise rap as culturally enriching, but then again, they’re quick to defend human rights abuses by “culturally diverse” nations. And they may defend it an authentic part of “black culture,” but that phrase is in and of itself racist – who’s going to define “black culture” as a whole? If we start defining “black culture”, it won’t be long before we’re back to labeling successful blacks — Colin Powell, Condi Rice, and yes, Barack Obama — racial sell-outs if they don’t listen to rap. Or, in the words of Michelle Obama, if they talk “like white people.”
T.I. will no doubt emerge from prison with some new raps about thug life in the big house. No doubt he’ll win some Grammys. And no doubt some young black men will listen to him, think about the glories of thug life, and pull the trigger.





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[...] just finished reading Ben Shapiro’s Rap Is Crap and I can’t let it [...]
[...] Over at Big Hollywood, Ben Shapiro says “rap is crap” in response to convicted felon (an… but Tim Slagle shoots back (no pun intended) with a defense of hip-hopopotamuses and rhyme-noceroses everywhere. [...]
[...] …without the rap. [...]
I'm not sure where in the thread this is going to fit. I'm trying to reply to Ben Hur, Brisco County, and kadaka, without arguing point by point with anyone. I offer this suggestion: We are not going to end racism by wallowing in it, we are going to end racism by throwing it away. (A friend of mine who is a darker shade of brown than I am observed "You're going to take our victimhood away from us," and he wasn't complaining). That means those with congenital melanin deficiencies, whatever our precise ancestry, have to throw away the designation "white." And, having done so, we have to invite our darker neighbors and fellow citizens to throw away the identity "black." Why should the "white" people go first? Because, these abstract labels were invented by someone who called themselves "white" and called others "black," seeing an opportunity to make some money off the distinction, and manipulate their less sophisticated "white" neighbors as much as their "black" property. For God's sake, all of us who have ancestors settled this side of the Atlantic before 1830 are most likely a mix of European and African, and half of us are part Native American.
The point that the slave trade was fostered by African rulers who had prisoners of war for sale is true, as is the point that Arabic merchants pioneered the trans-continental African slave trade, which European ship owners later tapped into. (The Arabs turned to Africa when their traditional source of slaves, the pale skinned barbarians of northern Europe, were no longer available). In fact, slave traders had to request PERMISSION to buy slaves on the African coast, and pay a substantial tax for the privilege. But, the cultural, social and legal status of dark-skinned persons on this side of the Atlantic was made up by people who called themselves "white." Rap simply represents the tradition that some dark-skinned people absorbed the worst myths of "white" supremacy, and said "yeah, that's me." Plenty of others did not do that.
Kwaanza is simply California dreaming. It was made up by a pseudo-radical named Ron Karenga, and it does partake of the forms of Hanukkah more than any west African tradition. Incidentally, Swahili was a language invented to facilitate the EAST African slave trade, up the coast to Arabia, but had little to do with the ancestors of anyone brought to the Americas. Incidentally, no self-respecting former Black Panther will celebrate Kwaanza, because Karenga was involved in the assassination of LA BPP chair Bunchy Carter.
So let's just throw this stuff away. There is nothing of substance to "race." There is no reason we should be afraid to say so, no matter what our complexion.
Au contraire, Democrats voted for Hillary just because she was a woman. That is where the party establishment was heading. Like it or not, Obama started to get traction when a lot of middle of the road people with light complexion decided they could vote for this guy, and ignore his skin color. Ask the voters in Levittown who couldn't quite believe they would ever do such a thing.
[...] seeing Muslims as having the ability to support traditional values. They are more interested in going after dance club music than in exploring the ways that black culture as a whole reflects shared, natural, traditional [...]
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