Here at Big Hollywood we often take the entertainment industry to task for its outrageous liberalism, and rightfully so. Of course it’s our job to look for the worst cases to alert you all about the nagging left-wing bias. But occasionally there are stories that are good ones and it is incumbent upon us to report those, too. This is one of those stories.

More often than not when we have news out of Hollywood about life issues it is invariably a pro-abortion tale and in the case of scientific studies, it is usually some denizen of Tinseltown coming out forcefully for unethical fetal stem cell research. The destruction of life is de rigueur out there, unfortunately.

But not this time.

You might say that this celebrity has boldly gone where no Hollywooder has gone before. You also might wince at my horrible attempt at humor when you find out that we are here today to celebrate the efforts of Eugene W. Roddenberry Jr., the son of Gene Roddenberry, the creator of “Star Trek.”

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Mark Ruffalo — you know, the millionaire actor who claims to be part of the 99 percent – may not be a scientist. But he plays one on mass e-mailings from left-wing advocacy groups. And with that activism Ruffalo is urging President Barack Obama to turn the U.S. Army Corps of Engineers from a science-based service to the American people into just another politicized arm of progressivism.

Ruffalo is lending his name to WaterDefense.org, an anti-fracking group claiming that the practice of drilling for natural gas contaminates drinking water wherever it is employed.

The science of the water contamination claim is not exactly proven but that won’t stop this group and actor Ruffalo from claiming it as fact. Clearly more scientific studies are needed to determine what is true and what isn’t here.

Despite all the studies done on fracking, there has been no solid proof that it contaminates drinking water. But let’s not let un-settled science get in the way of Ruffalo’s political activism, shall we?
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While denizens of Hollywood are running around praising the Occupy-Whatevers as an articulate, non-violent example of “democracy in action” and adopting the Occupy rhetoric, a new anthem of sorts has been unveiled to inspire these “non-violent” folks to greater activism.

But, for a “non-violent” movement, their new theme song (running nearly nine minutes long) is full of bloodlust and childish name-calling belying that claim to thoughtful democracy.

The song, “We Stand as One,” created by Grammy nominee Joseph Arthur, seems to fall short of the mythical claim that the Occupy movement is a non-violent, thoughtful “movement.” Filled with deep lyrics such as calling Occupy enemies “pigs,” warnings that their homes will burn and that the blood of Occupy enemies will be the Occupiers’ “paint,” this song sounds more like a call to violence than an appeal to the better angels of our nature.

Arthur has worked with such rock notables as Michael Stipe of REM and Peter Gabriel, and his 1999 EP “Vacancy” was nominated for a Grammy.

As Dan Gainor says, this song lays out an “entire rationale of why ‘we Occupy Wall Street.’” But while the song mentions “taking back our soul,” country, control, health care and the like, it also indulges scenes of violence reminiscent of a Hieronymus Bosch painting. (more…)

Truth of life number one: logic is anathema to left-wingers. Recently on the little-watched Current TV cable station, so-called “comedienne” Janeane Garofalo disgorged one of the most perfect examples of this truth of life that can ever be used as prima facia evidence.

Speaking about the rise of Herman Cain’s bid for the GOP nomination for president, Garofalo released the “logic” of the left.

First a word about Mr. Cain. In case you have been living under a rock for the last year, Herman Cain is a businessman, a talk show host, a former executive of several multi-billion dollar companies, he is a man with a long list of degrees and such. Herman Cain is running to become the Republican nominee for president. He has for the last several years been a mainstay at Tea Party rallies all across the country and draws big, enthusiastic crowds among these conservative activists. He’s a powerful speaker and really knows how to wind up an audience. Lately he’s won several straw polls and is ranked no less than the number 3 candidate to take the Republican nomination. He is also black.

So, here is the tortured “logic” that Garofalo used to explain why Republicans are loving this guy — this black guy.

People like Karl Rove liked to keep the racism very covert. And so Herman Cain provides this great opportunity say you can say ‘Look, this is not a racist, anti-immigrant, anti-female, anti-gay movement. Look we have a black man.

Yes, only in the illogical world of the hatemongers of the far left-wing can this make sense.

Think about this claim.

Garofalo is saying that a person that hates blacks will love a black man so that he can hide that he hates blacks!

There is no sense to this whatsoever.

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Even Dancing is not safe from left-wing attacks on Tea Partiers, sadly. Last night on the venerable dance show, fashion makeover maven Carson Kressley thought it would be a hoot to make fun of over half the voters in America with an attack on how he thinks Tea Party activists smell.

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On last night’s Dancing With The Stars, funny guy Kressley hit the screen wearing a gorilla mask. Taking it off he snarked, “It still smells like a Tea Party.”

So, what are we to make of this nonsense? Is Kressley saying that Tea Party activists smell like gorillas?

Are we supposed to be laughing at that, now?

So, what do Democrats smell like? Maybe Europeans? How about reds?

I wonder what dance partner Anna Trebunskaya, who was born in Russia, thinks about that? I wonder how ABC will take attacking so much of its audience?

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It looks like Hollywood has not learned the lesson that a graphic rape of a teen girl is not the best recipe for box office sales.  This year, yet another rape fantasy film has emerged from the muck and mire of Hollywood to assault audiences everywhere.

You may remember back in 2007 when an upcoming actress, then a 13-year-old Dakota Fanning, starred in Hounddog, a film in which her character was raped. When the film debuted at the Sundance Film Festival, the rape scene elicited actual boos from the audience. Still, the scene was not explicit and the rape itself was not shown on film.

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This time, however, Hollywood went from the implied rape of a 13-year-old Dakota Fanning, to the graphic rape, bondage, and enslavement of a 13-year-old Chloe Grace Moretz in a new film hitting Sundance titled Hick.

You may remember that Miss Moretz was recently in another controversial film as the foul-mouthed, bad guy-killing character named Hit Girl in the comic book-styled movie Kick Ass (2010).

The film Hick, from a book by the same name written by Andrea Portes, follows the life of 13-year-old girl named Luli, a runaway from negligent parents, as she sets out alone for Las Vegas from her Nebraska hometown.

From recent reviews, it is almost a schizophrenic film starting out as a nice portrait of a precocious teen girl in a coming of age story in the style of Juno. Naturally, this 13-year-old seems older than her age.

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It is always amusing to hear actors and actresses venture into the unfamiliar territory of politics when interviewers are cruel enough to broach such issues. Sadly, actress Mila Kunis is no exception to that Hollyweird tendency toward guffaw inducing political bloviating. Naturally and in keeping with most of the rest of the industry, in a new interview she’s disgorging that prosaic, ill-conceived, left-wing trope that she heard somewhere or another that serves as the basis of her “opinion.”

Of course she’s all a-gush over The One. “I love Barack Obama, I voted for him and I will forever be proud of my vote,” she is reported as saying to Britain’s Stylist magazine.

Kunis, it appears, considers herself highly informed about politics and most especially on how wonderfully she thinks Obama is doing in office. Conversely, she seems blissfully unaware of the zero job growth we just experienced not to mention the highest unemployment this country has experienced since The Great Depression. She seems also completely ignorant of the trillions of dollars of debt that Obama has piled up.

Still, she is sure that the compromises that she thinks Obama made in recent economic policies are going to hurt us.

“I think America is in a very temperamental state, and the decision that was made and the compromises made mean, in my opinion, that people are going to pay for a very long time,” she said.

Well, if she means the mess that is ObamaCare, we most certainly will be paying “for a very long time.” But I doubt that is what she’s on about.

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Did you know that Texas Governor Rick Perry and President George W. Bush are just like the fictional, prehistoric, sword-wielding, mass murderer, Conan the Barbarian? Well, Time Magazine entertainment reporter Richard Corliss is here to inform you all about it in his review of the new action movie released this week based on the Robert E. Howard character. What is it with these people that they have to bring their hatred for Republicans into their reviews about films that have nothing whatever to do with politics?

It is clear that Corliss is not a fan of this flick, for sure. And he mixes metaphors and abuses sayings to beat the band to show his disdain. But it is his second, non-sequitur-filled paragraph that goes for Perry’s and W’s throats. Corliss features this attack prominently in the second paragraph of the review so that no one will miss it.

Portrait of George W. Bush?

Corliss describes how at the beginning of the movie a young Conan watches his entire family slaughtered in front of him. To Corliss, this seems somehow “kind of like” the way Saddam Hussein plotted to kill George W. Bush’s father, H.W. Bush.

As a boy (played by Leo Howard), he watches in horror while the ruthless warlord Khalar Zym (Stephen Lang) humiliates and murders Conan’s father (Ron Perlman); it’s kind of like Saddam Hussein’s plot to assassinate George H.W. Bush, which supposedly led son W. to invade Iraq and chase down Saddam. Conan, though, grows up to be less like 43, the smiling tiger, and more like current Texas governor Rick Perry, with a compulsive appetite for red-meat rivalries. This barbarian has compiled an endless list of enemies and vows, as Perry did with Fed chairman Ben Bernanke, to make life pretty ugly for all of them.

Uh, sorry, Richie, it is not “kind of like” anything of the kind. In fact, it is just a left-wing trope that W. Bush invaded Iraq because he was trying to get even with Saddam for plotting to kill his daddy. There is no evidence at all of this nonsensical claim. W. laid out his reasons for going into Iraq pretty clearly through his discussions with the U.N. and the presentation that he had Secretary Colin Powell give. Revenge was nowhere in the mix. (more…)

Remember back in the early 1960s when blacks could get any job they wanted in the American airline industry? Oh, and remember back then how no one smoked cuz it was really, really bad for you and stuff? Yeah. No one else does, either. Well, maybe not no one. Big Three Network ABC seems to remember it because that is how they are envisaging how the world worked back in 1963 for its new TV series about airline stewardesses entitled “Pan Am.”

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In yet another example of Hollywood PCism run amok, producers, we are told, “admitted” that studio execs at ABC-Disney nixed any chance that the show’s characters or extras would be smoking during the series even though the historical fact is that the bulk of the adult population of 1960s America smoked.

In fact, smoking was as common as “Coffee, tea, or me.” Everyone was allowed to smoke on airline flights in the 1960s. It is just a fact. Yet producers have decided that the show will never portray a single fuming butt in flight despite the historical reality.

Heck, who over 45 does not remember cigarette ads portraying doctors telling consumers how smoking was good for your health? I sure do!

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Ooopsie. Looks like all is not honey and roses in the left-wing, out of the mainstream land of Huffington Post. When one of the site’s most popular bloggers and celebrities calls HuffyPo readers stupid, it makes for a tense atmosphere among the out of the stratosphere left.

Alec Baldiwn, famed for his left-wing diatribes — oh, and some acting here and there — took to Twitter once again to criticize the readers and commenters at HuffPo after a gaggle of negative comments posted at the tail end of one of his latest HuffPo screeds.

“The reading comprehension level of the HuffPo comments folks is alarmingly low. I mean, downright awful,” Baldwin lamented.

Now, usually when I write about things like this I go into why the comment by the writer was made, what misconceptions were evinced by his critics, and what his response was to those critics… but it’s Alec Baldwin and Huffington Post we are talking about here. Making sense of anything that goes on there is somewhat impossible, not to mention a waste of time.

Suffice to say, it is interesting to see leftists calling each other names. And this isn’t the only time Alec Baldwin has scolded readers of HuffPo. He’s done it on Twitter before. (more…)

Yes, it’s time for another tale of millions of your tax dollars wasted by the NEA on “art” in America.

Supporters of the National Endowment for the Arts (NEA) like to puff themselves up as saviors of high “art” in lowbrow America. They love to imagine that without their advocacy for spending millions of our tax dollars to support dubious art projects, why, “art” in America would vanish. After all, you people are all uncultured Neanderthals, you know?

Bruce E. Walker recently alerted us of the newest boondoggle to come out of the NEA. This time the NEA is sponsoring hundreds of thousands of dollars to go to video game makers.

Yes, video games. Apparently the NEA thinks we have a dearth of video games in America and they need to rescue this important and neglected “art” from somehow disappearing.

The NEA’s website proudly touts its new agenda to “assist” the electronic media by adding a new category to its list of obviously endangered fields of art. They tells us that the NEA will now turn its attention to, “all available media platforms such as the Internet, interactive and mobile technologies, digital games, arts content delivered via satellite, as well as on radio and television; and media projects that can be considered works of art.” (more…)

An interesting ad has recently appeared at the New York Craig’s List website which shows exactly how the left will be framing the upcoming 2012 presidential election. The ad asks for a family that represents “racial minorities” to be pitted against a family of “white conservatives.” It’s pretty clear they intend to make this whole election about race.

A new “reality” TV show is being planned as a “television documentary” centered around the 2012 elections. The company that put up the ad proves that race is their central theme. These would-be filmmakers are looking for “families that have profiles similar to the potential 2012 candidates.”

A television documentary is looking for participants in a future project concerning the 2012 Presidential elections.

That is to say one family that loosely resembles the Obama family (racial minority [can be any non-white racial or ethnic group], recent immigrant [1 or 2 generations], liberal, etc.) and one family that loosely resembles a potential Republican contender (white, conservative).

So, it is apparent that this “television documentary” project is going to focus on race with this. They want America to see this presidential campaign as a contest between white and black America. They don’t want this to be about issues at all.

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For some strange reason the left-wing Internet site Slate.com thinks that the City of Detroit needs a statue erected to an anti-Christian, anti-American pop icon. That’s right, Slate thinks that Detroit needs to diss Jesus, slam capitalism, and attack the United States of America as an evil, violent nation. Strange recommendation for a city that literally drove America’s capitalist success story, isn’t it?

Well that is precisely what Slate is suggesting in an entertainment feature about raising a Motor City statue to the Hollywood sci fi movie character Robocop. After all, the Robocop movie was a purposeful slam on the United States and Christianity, not some celebration of her genius. This is exactly what the film’s director has said numerous times. Strange that Slate wants to use a character that presents what it claims is bad about America as something worthy enough to which to build a memorial.

For Slate Patrick Cassels, a 20-something actor, “Internet enthusiast,” and entertainment writer, announced his support of the statue to the violence-soaked movie icon mostly because it is an attack on “Reaganomicss” and corporations. But, as if supporting a paean to Marxism isn’t grating enough for building a statue in an American city, he spends no time at all on the anti-Christian theme of the movie.

Regardless a statue to Robocop is a great idea, Cassels asserts. “Robocop,” Cassels claims, “is a great ambassador for Detroit.” He thinks that a Robocop statue has “something important to say about the place and its plight.”

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With the spotlight on Wisconsin’s union thugs rampaging across the state, one wonders why it took propaganda filmmaker Michael Moore so long to put himself in front of the news cameras to take some of their publicity for himself. But this weekend, Moore finally glommed onto the cameras making himself out to be a great supporter of the union’s efforts in the Badger State. Once again, though, Moore proves to be a hypocrite. It was Moore, after all, that excluded using union workers in one of his recent films. Some supporter of unions!

Filmmaker Moore attend a recent Wisconsin pro-union rally and regaled the crowd with an address saying, “Madison is only the beginning.”

“We’re going to do this together. Don’t give up. Please don’t give up,” Moore told the protesters, who have swarmed the Capitol every day for close to three weeks.

Oh, he’s a great supporter, right? But let us drift back only a few years to 2009 when he was filming his last bomb, Capitalism: A Love Story. During that production we found that Moore didn’t hire union stagehands (the IATSE) for his film.

According to his agent, Ari Emanuel, Moore claimed that he used non-union labor because the stagehands union doesn’t “respect documentary filmmakers” or some such thing.

It made the American Federation of Teachers (AFT) mad enough that they refused all the free tickets Moore tried to offer them when the movie debuted. Yet here are these teachers in Wisconsin now falling all over themselves because Moore came publicity seeking in front of them. For shame that their institutional memory is so shallow, eh?

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The CBS drama The Good Wife, a politically charged soap-opera-like series, is coming under fire for naming its Sarah Palin-boosting character after America’s most infamous domestic terrorist, Oklahoma City bomber Timothy McVeigh.

Matthew Vadum of the Washington-based Capital Research Center says that naming the character “McVeigh” conjures an unmistakable inference. “Calling a character ‘Kurt McVeigh’ conjures up unmistakable images of mass murdering terrorist Timothy McVeigh. Hollywood screenwriters don’t live in a cultural vacuum; they help to create American culture,” Vadum told Fox News.

Even as the TV producers claim that they weren’t trying to discredit Sarah Palin by naming a character that supports her in its series after America’s most murderous homegrown terrorist, they also admit that they purposefully chose the name to invoke anti-government sentiment in the show’s other characters.

Using quite a bit of spin, executive producer/co-creator, Robert King said, “The Kurt McVeigh character was introduced mid-season our first year, and at that time, he was given a name that was intended to play into the anti-conservative prejudices of the more liberal [character in the show].”

That is an interesting formulation of motive, isn’t it? On one hand the show’s producers are trying to claim that the name was not used to invoke a murderous, real-life namesake, yet on the other hand they admit that the name was picked to provoke the “liberal” character to refer to that very madman. You can’t have it both ways, Mr. King. Either you meant the name to make viewers think of the murderous Timothy McVeigh, or you didn’t.

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The venerable Marvel comic book character Captain America has been, well, “Captain America” since 1941. But as of the 2011 release of the new movie “Captain America: The First Avenger,” he won’t be Captain American anymore. At least as far as the film’s  title goes for its overseas release, anyway.

Apparently, Hollywood thinks a character called “Captain America” is too gauche for foreigners to handle. And so he’s to go nameless in such places as Russia, Ukraine, and South Korea. Once again, Hollywood shows that it’s ashamed of America, its traditions, and culture.

This film already raised eyebrows for patriots when the director said that his Captain America wouldn’t be that into America.  Last July, director Joe Johnston claimed that the Captain America in his film would not be a “jingoistic American flag-waver.” Johnston’s anti-American sentiment foreshadows the dropping of the character’s name from the title for overseas distribution. (more…)

For the entertainment industry’s practitioners of political correctness, 2010 was another banner year. Even as conservatives have made deserved headway in La La Land and other areas of the industry, there still aren’t enough conservatives to bring much needed patriotism, logic, and common sense to the scene. Sadly, the industry is still filled with those slavishly dedicated to anti-American tropes, left-wing blather, and self-hatred. From comic books, to music, to radio, TV and movies, PCism still runs rampant.

Without further ado, here are (in no particular order) just a few examples of PCism from 2010 in music, TV, movies, and publishing. Certainly there are many more and these are not necessarily a “top ten,” but these examples do serve to show that PCism is not dead despite the Tea Party uprising, the growth of the conservative new media, and the resulting Republican tsunami from the midterm elections.

Movies and Actors

Who could forget the film Machete, starring Danny Trejo and directed by Robert Rodriguez? This one was a sort of pastiche of 1970s exploitation movies with a Mexican twist. The film was replete with White sheriff’s ruthlessly murdering pregnant Mexican immigrants, American businessmen working to keep Mexicans down, overpowering racism against Mexicans by white Americans and it all seemed intended to inflame militant Mexican nationalism and to goad illegal immigrants in America to put all the blame on white America. The creators claimed it was supposed to be just good, over-the-top fun but in the climate of racial tensions in America today it was as funny as a militant Mexican flavored attempt to start a race war. (more…)

Reality isn’t always very fun. Because of that many people turn to comic books for a little escapism. But there’s escapism and PC indoctrination. Sadly, it appears that DC Comics’ Batman is angling for the latter and not the former. You see, Batman has decided to hire a Muslim to “save France.”

First the reality. The country of France is having serious domestic problems between its immigrant Muslim community and those natural-born, European Frenchmen. Immigrants have been rampaging across the country for several years now. Clashes between police and large groups of rioting Muslim youth have wreaked havoc on the Gallic nation. Violence is all too common — it is woefully common for hundreds of cars to be lit afire in these riots and dozens of arrests to be made. It has the country split and frightened.

It has gotten so bad in France that in some parts of its cities, those parts controlled by marauding gangs of Muslim youths, whites never enter for fear of their lives. Not only that but not even police dare enter these areas. This dangerous situation does not seem anywhere near being solved. In fact, it’s just getting worse.

Now for the fantasy: enter The Batman.

DC Comics recently launched a series called “Batman Incorporated.” Essentially, Bruce Wayne (well-known as Batman’s alter ego to comics fans) is cruising the world setting up a “Batman” for major cities across the globe. These Batman figures, though, will not be vigilantes. They will be sanctioned by whatever local police force is in charge of the area in which the new Batman is operating. In the case of Detective Comics number 12 (Part one) and Batman Annual number 28 (Part two), Bruce Wayne has come to Paris, France to find a “French savior.” (more…)

[Ed. Note: What are the odds that the same day I praise this film, this happens? -- JN]

Proving once again that Hollywood always gravitates to the wrong causes, Tim Cavanaugh of Reason.com reported on Dec. 14 that the California town made famous by Erin Brockovich — an activism that Hollywood embraced with a major motion picture starring Julia Roberts — has proven not to have lived up to all the anti-corporate fearmongering that brought the town to the country’s attention.

For those of you that are hazy on the story, local activist Erin Brockovich successfully took Pacific Gas and Electric to court forcing it to pay a record $333 million class-action settlement because it was determined that the company allowed a toxic plume of hexavalent chromium 6 to be released from the natural gas pipeline based in Hinkley, California.

The charge from Brockovich and her supporters was that this cloud of hexavalent chromium 6 was surely going to unleash a wave of devastating cancers on the unsuspecting residents of Hinkley. The courts tended to agree. The court of public opinion also agreed. Interestingly, there wasn’t any real scientific proof to give the contention veracity, but everyone was just sure that increased levels of cancer would befall these poor people. The company lost and paid dearly.

It was just the sort of David vs Goliath story that drew Hollywood to the tale. A 2000 film starring Julia Roberts, one of the highest paid actresses of her day, was crafted to make a hero of Miss Brockovich.

Hollywood loves these anti-corporate stories. From actress Meryl Streep testifying before Congress on the dangers of the chemical Alar on apples and produce, to movies like The China Syndrome, a film about catastrophic safety lapses in the nuclear power industry, even to sci-fi shows like Robocop, a film that made a villain of corporations, Hollywood loves to think of itself as fighting “for the little people.” Sadly, in almost every case the denizens of Hollywood whip up sentiment against things without any truth or proof supporting their position. Meryl Streep was wrong about Alar causing wide-spread cancer, The China Syndrome wholly misrepresented the safety record of the nuclear power industry causing an entire generation of Americans to eschew nuclear power when the rest of the world was fully investing in it (without safety troubles, mind you), and Robocop was simply hyperbole gone wild. Oh, but Hollywood was fighting for you, don’t you know? (more…)

It’s a holiday and some might say we should be charitable to the unfortunate. By unfortunate usually they mean those that don’t have as much as you and I. But one might construe “unfortunate” to mean being gut wrenchingly stupid, too. And when one thinks of the gut wrenchingly stupid one often thinks of the denizens of Hollywood above all others. Still it is awfully hard to be charitable toward such stupidity, I have to admit.

Today I have two members of the gut wrenchingly stupid Hollywood set to report upon. It might have been three but the terminal lunacy of Charlie Sheen just goes without saying.

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This week Americans stood ready to wish each other a Happy Thanksgiving, to be sure. Well, everyone was but the  Angelina Jolie, that is. If reports are true, to her this holiday isn’t a day to thank God for our fortunate bounty and to reflect upon the fortuitous founding of this nation, it’s little else but “happy murder the natives day” and she refuses to take part.

Angelina Jolie hates this holiday and wants no part in rewriting history like so many other Americans,” a friend of the actress tells me. “To celebrate what the white settlers did to the native Indians, the domination of one culture over another, just isn’t her style. She definitely doesn’t want to teach her multi-cultural family how to celebrate a story of murder.

I suppose we can be charitable and ignore these kitschy musings based on a woefully incoherent view of American history. Unfortunately, it is just the sort of vapidity that is de rigueur for the empty headed Hollyweird set. As they puff themselves up imagining they care more than you about “the little people,” they indulge a corresponding hatred of our country all too often.

But Jolie’s absurd notion pales in comparison to the outright lunacy of “comedienne” Whoopi Goldberg (real name: Caryn Elaine Johnson). Whoopi thinks that the world does not have a Muslim problem, thinks “white men” are terrorists, and thinks that Muslims in the USA are persecuted more than Jews. Oh, there’s more. Goldberg also thinks that the Japanese didn’t attack Pearl Harbor in 1941.

Those are truly gut wrenchingly stupid notions. (more…)