Charlie, the Kid and the Cop
Best Lesson Ever in Hollywood Screenwriting

If you want to write for Hollywood, study this picture.

This faded lobby card from Charles Chaplin’s The Kid is the best lesson you’ll ever have in how to write for the movies. Despite its age, it illustrates many of the essential elements you’ll need to keep in mind today as your write your Hollywood screenplay. It’s a visual reminder of the kind of movie that producers, studios and – most importantly – audiences are looking for.

And that’s no accident. This lobby card had a specific purpose: to bring people into the theater. Chaplin chose this particular image because it effectively answers the first three questions that are always on the mind of the audience when the lights go down on a Hollywood movie. (more…)

In this post, I want to give some advice to beginning screenwriters who are having difficulty finishing — or even starting — their first screenplay. I’ve been mulling over what to say for several weeks now, trying to come up with some inspirational words of advice to motivate you into achieving your goal. After much thought and deep-dish contemplation, I’ve boiled my advice down to this:

If you want to write for Hollywood, think like a
hack writer and stick to the Hollywood Formula.

How’s that for inspiring rhetoric?

Now, most “creative” types (that is, people who don’t actually have a job writing for Hollywood) will tell you that adhering to a formula is a bad thing because it stifles creativity. (more…)

Bitter Gun-Clinger  – and Hollywood Hero

For nearly a century now, Hollywood has inspired generations of Americans with the central truth behind the American Dream: in this country, people are free to choose their own destiny. It’s the moral message found in every film that features the classic Hollywood Hero. Here’s a look at how our movie heroes were shaped by American values, a personal look at how the Hollywood Hero can inspire our lives, and the belief that, despite the rise of explicitly anti-American movies, the Hollywood Hero will continue to ride to the rescue.

The late Stanley Kubrick awakened my interest in films. But it was a one-eyed fat man that launched my career in the movies.

The first time I started thinking about films as something more than Saturday afternoon’s amusement was in 1968 with the release of 2001: A Space Odyssey. I was a Midwestern boy in the 8th grade at the time, and it was the first film I kept thinking about after I left the theater: Who made it? How was it done? What does it mean? (more…)

Jurassic Park – a family-friendly nature preserve featuring 7-ton prehistoric carnivores.
What could possibly go wrong?

If you’re a writer struggling to put together a screenplay, but it’s a big mess and you don’t know where to begin, this is the post for you. I’m going to explain the easiest way I know how to bring structure to your screenplay and solve the problems you’re having.

In my last post, I suggested that “doing the right thing is worth the struggle” is a common inspirational message found in many of the most stirring Hollywood movies. However, each individual film has it’s own particular moral theme that it wants to get across to the audience. And it’s this moral theme that will be your guide to figuring out how to solve the problems in your screenplay. (more…)

There’s some good in this world, Mr. Frodo. And it’s worth writing about.

I’m going to take the boss at his word that the modest objective of Big Hollywood is “to change the entertainment industry. To make Hollywood something we can believe in – again. In order to give millions of Americans hope.” And further: “Until conservatives, libertarians and Republicans…recognize that (pop) culture is the big prize and that politics is secondary, there will be no victory in this important battle.”

But what is it, culturally, that Hollywood can do that will make us believe in it again and give millions of Americans hope? What is it we can do win the battle for pop culture? (more…)

This is the story of how I got kicked out of Hollywood…and how I hope to kick myself back in again. 

From the late 70’s to early 90s I made my living as a Hollywood screenwriter. I’m best known as co-writer of cult film Rock ‘n’ Roll High School, which features the seminal punk band The Ramones. 

My writing partner and I worked every day on the set of the film, and we spent a lot of time with the band, including a 22-hour marathon Ramones concert at the Roxy on the Sunset Strip. As a souvenir of that day, I still carry around a 40% hearing loss and white-noise tinnitus in both ears. 

Over the years, I’ve been approached by many Ramones fans wanting to know what it was like to work with band members Joey, Johnny, Dee Dee and Ringo. Of the four, the most interesting, approachable and, yes, intelligent glue-sniffer was Johnny Ramone, and my partner and I would often spend time talking with him about his film collection and our shared affection for Buster Keaton movies.  (more…)