Jeff Varga has functioned in almost every capacity of the Hollywood motion picture and television industry over the last 23 years working on almost every sound stage in town and a vast many post-production facilities. He's a Director with a heavy background in visual effects.
Mr. Varga grew up in Flint, Michigan (yes, the town Michael Moore made famous). After attending film school in the early 80’s, he landed a position as a Production Coordinator at Charlie Band's Empire Pictures. There he learned the art of making low budget productions look like they were made for millions more.
After serving James Cameron on “The Abyss,” he shared in an Academy Award for outstanding special effects for “Terminator II,” having staffed the artists and supervised the miniatures for the nuclear blast and hot steel pour sequences. He has also worked on “Robot,” “Blade 3,” “Spiderman II,” “Mr. & Mrs. Smith,” “Fantastic Four” and “Live Free or Die Hard.”
In the 90s, juggling multiple career objectives, Mr. Varga became a reputable creative force behind the filming of commercials and television productions. He has worked with ABC, CBS, NBC, WB, Carolco, HBO, Sony, MGM, 20th Century Fox, Paramount, and Universal among many others and has worked on TV shows including “Star Trek: Enterprise,” “Gilmore Girls,” “Malcolm In The Middle” and “Drew Carey's Green Screen Show.” He directed numerous commercial spots including Smirnoff, Electrolux and AT&T.
Mr. Varga also spent a number of years as a marketing adviser to independent producers and distributors, cutting movie trailers and designing movie posters. One of his proudest achievements was originating the “Scream” movie key art concept. His long-term clients have included Joel Coler, former Head of Marketing for 20th Century Fox, and Michael Baumohl, former V.P. of Int'l Marketing at Warner Bros. and Lucasfilm's European division. He helped launch a new theatrical distribution company, AMPG, serving as its Creative Director for movie releases such as “Dinner Rush.”
In 2008 he created “Dead End City: The Series,” a “Sin City”-style made-for-TV episodic shot completely on green screen with all computer generated backgrounds and starring Big Hollywood contributor Gary Graham (“Star Trek: Enterprise,” “Alien Nation”). Jeff is still trying to find a home for this show and continues to pursue financing for a kids' action adventure film entitled “Prayer Warrior.”

Jeff Varga
Obama Parable?: Brownshirt Lizards Return in ‘V’
by Jeff VargaThis is my first “coming out” article as a conservative and Christian because Hollywood is taking its last breath before dying and I don’t really have much to lose. I’m a director, but made a good living for about seven years compositing visual effects. That is, until I was blacklisted for objecting to anti-Christian and anti-American propaganda that I was forced to listen to 8 hours a day by 90% of the people around me. But that’s a story for a different time.
Today, I’m writing to comment on “V,” as I’m sure many viewers missed the parallels of the questions raised in the show regarding our own politics today.

Hollywood script-writing 101 classes tell writers, “If you want to write a good script, write what you know.” Kenneth Johnson, creator of the original “V” series and story writer of the resurrected version, apparently knows his history. For disclosure purposes, I have met him and visited his home many years ago, but don’t know really much about him other than he has a good grasp on good and evil and human, albeit lizard, nature. (Possible political jab that the Left is slimy … even though lizards are not?)
What completely blows my mind is that all these comic book and sci-fi loving fans embrace and cheer for the underground rebels and immediately suspect the Visitors as wolves in sheep’s clothing (or lizards, in this case). So why is it so impossible for these same fans to see who the real-life lizards are? The aliens arrive and we don’t know anything about them other than they all look like celebrities too old for the CW Network, and they come offering hope and in the shows own words: “universal health care.” No, President Obama, nor Harry Reid, nor Nancy Pelosi didn’t arrive in a spaceship (or did they… hmmm?). No, they came with years of very questionable history behind them that anyone not rushing to embrace the empty promise of “hope” and “change” would immediately see. (more…)




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