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	<title>Big Hollywood &#187; Andrew Klavan</title>
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		<title>Exclusive Excerpt: Andrew Klavan’s ‘The Final Hour’ Part Three</title>
		<link>http://bighollywood.breitbart.com/aklavan/2011/08/06/exclusive-excerpt-andrew-klavans-the-final-hour-part-three/</link>
		<comments>http://bighollywood.breitbart.com/aklavan/2011/08/06/exclusive-excerpt-andrew-klavans-the-final-hour-part-three/#comments</comments>
		<pubDate>Sat, 06 Aug 2011 21:59:00 +0000</pubDate>
		<dc:creator>Andrew Klavan</dc:creator>
				<category><![CDATA[Books and Literature]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[EXCERPT]]></category>
		<category><![CDATA[Homelanders]]></category>
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		<category><![CDATA[Terror]]></category>
		<category><![CDATA[The Final Hour]]></category>

		<guid isPermaLink="false">http://bighollywood.breitbart.com/?p=501936</guid>
		<description><![CDATA[Ed. Note: This is the third of three excerpts. Chapters one and two can be found here. ”The Final Hour” is available at Amazon.
Chapter Five
The White Room
I looked around.  There wasn’t much to see.  It was a small, cramped, white room.  There were no windows, no two-way mirrors, just the rough painted surface of the blank white [...]]]></description>
			<content:encoded><![CDATA[<p><em><strong>Ed. Note:</strong> This is the third of three excerpts. Chapters one and two can be found<a href="http://bighollywood.breitbart.com/author/aklavan/"> here</a>. ”The Final Hour” is available </em><a href="http://www.amazon.com/Final-Hour-Homelanders-Andrew-Klavan/dp/1595547150"><em>at Amazon</em></a><em>.</em></p>
<p style="text-align: center;"><strong>Chapter Five</strong></p>
<p style="text-align: center;"><strong>The White Room</strong></p>
<p>I looked around.  There wasn’t much to see.  It was a small, cramped, white room.  There were no windows, no two-way mirrors, just the rough painted surface of the blank white cinderblock walls.  There was a white table bolted to the floor, and two plastic white chairs, one on either side.</p>
<p style="text-align: center;"><a href="http://bighollywood.breitbart.com/files/2011/08/the_final_hour2.jpg"><img title="the_final_hour" src="http://bighollywood.breitbart.com/files/2011/08/the_final_hour2.jpg" alt="" width="326" height="500" /></a></p>
<p>For a minute or two, I just stood there, staring stupidly at all that whiteness.  I was still a little messed up in my head.  The memories from my attack still clung to me.  The scene had been so real, it was so much as if I were there, right there.  It hurt to be back here again, back in this prison.  Anyplace would have been better.</p>
<p>I heard the lock on the white door snap again.  The door opened.</p>
<p>I turned and saw Detective Rose step into the room.</p>
<p>Man, I can’t tell you what that was like.  At the sight of him, I felt my sore, battered body go weak with relief.  I couldn’t remember the last time I was so happy to see anyone.</p>
<p>“Rose!” I blurted out.  “Dude!  Oh, man, it’s about time you showed up!”</p>
<p>Rose didn’t answer.  His face was blank, expressionless. But then he never was much in the expressing-himself department.  He was a black guy with a round face and flat features, a thin moustache and smart, steady eyes.  He rarely smiled.  He rarely even grimaced.  Even his suits seemed to have no particular color.  He was always all business.</p>
<p>I saw his eyes go over me, pausing on the cuts and bruises.  But all he said was, “Sit down, Charlie.”</p>
<p><span id="more-501936"></span></p>
<p>I lowered myself painfully into one of the white chairs.  Rose didn’t sit down in the other one.  He put his foot  up on its seat.  He rested his arm on his raised knee.  He looked down at me—studied me—for a long time.</p>
<p>“What happened to you?”</p>
<p>“I fell down,” I said.</p>
<p>He snorted.  “You fell down, huh.”</p>
<p>“I fell down on a sadistic guard.”</p>
<p>“That <em>was</em> clumsy of you.”</p>
<p>“Tell me about it.”  I looked up at him, searching his eyes for something, some kind of hope.  I couldn’t stand the suspense.  “So,” I said to him.  “Are you gonna get me out of here or what?”</p>
<p>“What’s the matter, Charlie?  Don’t you like prison?”</p>
<p>I wanted to come up with a snappy answer, but I wasn’t feeling very snappy.  “It’s bad,” I admitted.  “I’m trying to stay strong in here, you know?  But I’ll tell you the truth, Rose:  it’s really, really bad.”</p>
<p>I thought I saw a trace of sympathy rise in Rose’s eyes, but it was tough to tell.  He just nodded.  “That’s the way it works, Charlie.  You put a lot of bad guys together in the same place, you end up with a pretty bad place.”</p>
<p>“Are you talking about the inmates or the guards?  Because in here, it’s tough to tell the difference.”</p>
<p>The faintest trace of a smile appeared at one corner of Rose’s mouth.  “The guards wear the blue shirts.”</p>
<p>I tried to laugh.  I tried to sound hard and cool the way Rose did.  But even I could hear the desperation in my own voice and I’m sure Rose could hear it too.  The truth was I didn’t know how much more Abingdon I could take.</p>
<p>“So?” I said again, my voice shaking a little.  “What’s the deal:  Are you gonna get me out of here?”</p>
<p>Rose let out a breath.  Something about the way he did it made  my stomach churn.  I could feel the bad news coming.</p>
<p>He took his foot off the chair.  He sat down across from me.  He leaned forward, his elbows on the table, his eyes steady on mine.</p>
<p>“Here’s what’s been happening since they put you away in here,” he said.  “The Homelanders organization has been broken.  The men we arrested at your friend Margaret’s house?  They talked.  They led us to their headquarters…”</p>
<p>“That crazy-looking mansion?”</p>
<p>“The crazy mansion, yeah.  We’ve still got it under guard.  They had computers there, papers, names, locations.  Those led us to the training camp, the place you escaped from.  A series of safe houses.  We’ve rounded up almost all of them.  The Homelanders are over.  They’re done.”</p>
<p>He let that sit for a minute between us, gave me time to take it in.</p>
<p>“So… that’s good news, right?” I said finally.  “The operation was a success.  I did what you wanted me to do.  Hooray, right?  America is safe.  You get a promotion.  Waterman can rest in peace.  And, listen, as far as I’m concerned, you can forget my parade and the medals and all that.  Just get me out of here and let me go home, okay?”</p>
<p>There was another moment of silence.  Then Rose said the words that made my breath catch with fear.</p>
<p>“It’s not that simple.”</p>
<p>“What do you mean?” I asked, my voice rising.  “What do you mean it’s not simple?  Sure it’s simple.  It’s really simple.  You hold a…  whattaya call it…?  a press conference or something.  You hold a press conference and you say, ‘Hey, remember the whole Charlie-West-is-a-murderer thing?  Surprise, we were only kidding.  He helped us bust up this terrorist ring and now we’re gonna set him free so he can have his own reality TV show…’  I don’t care what you say, man.  Just get me out of Abingdon before I&#8230;”</p>
<p>Rose interrupted me, speaking in the same flat voice with the same expressionless expression on his face.  “I can’t.”</p>
<p>I was in the middle of a sentence when I felt the words turn to ashes in my mouth.  “What do you mean you can’t?”</p>
<p>“I’m sorry,” Rose said.</p>
<p>I swallowed, hard.  “You mean you can’t get me out of here?”</p>
<p>“No.”</p>
<p>“Not ever?”</p>
<p>His eyes flicked away from mine.  “Not yet.  Not now.”</p>
<p>I felt the strength go out of me.  I sagged against the chair.</p>
<p>Rose went on speaking, without emotion.  “You knew the risk when you signed on, Charlie.  Waterman’s operation—our operation—it was never strictly…  official.  We never really had approval from our superiors.  The government is happy to take the Homelanders into custody in a quiet way, but right now, they don’t want it to go any further than that.”</p>
<p> “Any further than what?  These people are terrorists.  They’re at war with us.  Why should we tiptoe around about putting them in jail?”</p>
<p>Rose cupped his hands over his nose and mouth and closed his eyes, almost as if he were praying.  But I think he was just trying to gather his thoughts, trying to figure out how he was going to explain this to me.  I was pretty interested to hear what he’d come up with.</p>
<p>“Here’s the deal,” he said finally, dropping his hands.  “An organization like the Homelanders doesn’t just spring up out of nowhere.  People fund it, plan it, support it.  Powerful people in countries in the middle east.”</p>
<p>“So?”</p>
<p>“We need help from some of those countries.  Help with security.  Help with arms negotiations.  Help with oil.”<br />
            “Oil.”</p>
<p>“Right now, it’s convenient for a lot of people in the government to pretend that the Homelanders were just a random bunch of crackpots.  And that you were just a troublemaker who got involved with them.  That way, there’s no pressure from the people, from the media, to go too high up the ladder, to embarrass the people we need to deal with…”</p>
<p>Suddenly I found myself on my feet.  The plastic chair toppled over in back of me, rattling against the floor.</p>
<p>“Embarrass them?” I shouted.  “Embarrass them?  They’re just going to leave me to rot in here so they won’t embarrass people in the countries where these killers came from?”</p>
<p>“It’s a sensitive moment, Charlie.  A very powerful faction in our government is to determined to believe the Homelanders didn’t really exist at all…”</p>
<p>But I silenced him with a raised hand.   I turned away from him.  Paced to the wall.  Braced my hands against it, my head hung down.  I could barely believe what I was hearing—and at the same time, I believed it too well.</p>
<p>Behind me, Rose said, “There’s something else you oughta know…”</p>
<p>I just stood there, head hanging, waiting for it.</p>
<p>“We didn’t get them all.”</p>
<p>Now I swung around, looked at him, eyes glaring.</p>
<p>“Prince escaped,” he said.</p>
<p>“Prince…”</p>
<p>“And some of his top operatives—some portion of his operation—we don’t know how much…”</p>
<p>“But Prince was the head guy.  He was the brains behind the whole deal…”</p>
<p>“I know that.”</p>
<p>“Well, do you have any idea where he is?”</p>
<p>Rose looked down at his hands clasped together on the surface of the desk.  He was silent for a long moment.  Then he raised his expressionless face and stared at me with eyes that said more than he could say aloud.  “The government is convinced he’s left the country.”</p>
<p>“Because they want to be convinced.  Because it’s convenient.”</p>
<p>He nodded.</p>
<p>“But what if he hasn’t?” I said.  “What if he hasn’t left?”</p>
<p> “Well,” said Rose.  “If he hasn’t left…  you may not be safe.”</p>
<p>I let out a laugh—if you can call it a laugh.  “Oh really?  I’m not safe?  What a surprise.  I thought I was snug as a bug in a rug in here!  I mean, it’s not as if someone just tried to slice me to pieces.  It’s not like some guard just used me as a punching bag for half an hour.” </p>
<p>“Look, I’m working on this,” said Rose.  “I am, it’s just…  They’ve closed Waterman’s operation down.  I have no official power base anymore.  I’m doing my best to go through channels, through friends…”</p>
<p>Angrily, I reached down, snapped up my chair.  “Channels!” I said.  “Friends!”  I plunked the chair down across the table from him.  I plunked myself down into it.  I was so mad I hardly felt the aches in my body anymore.  “Let me see if I’ve got this right.  Most of the Homelanders are in custody but the government doesn’t want to admit they were a highly funded organization taken down by an unofficial undercover organization.  Because of their negotiations in the middle east, it’s more convenient to pretend the whole thing is over—and to keep me in here, with everybody thinking I’m a murderer.  Meanwhile, Prince has escaped and wants me dead but you have no way to find him because the government prefers to believe he’s gone and you have no power base.  So not only am I stuck in this hellhole, I’m a sitting duck for anyone who wants to earn Prince’s favor by bumping me off.  Have I got all that right?”</p>
<p>For the first time, Rose showed some sign of strain.  He rubbed one eye wearily.  It was a quick gesture, over in a moment, but it revealed to me how tired he was, how hard he’d been working on all this.</p>
<p>“You need to try to be patient…”</p>
<p>“Patient?”  I slammed my fist down on the table.  “You don’t know what it’s like in here.”</p>
<p>“I understand but…”</p>
<p>“What if I call the newspapers?” I said.  “What if I tell them about Waterman?  About the Homelanders.  About what went down?  How it all happened?”</p>
<p> “Who do you think people will believe?” Rose asked quietly.  “A convicted murderer telling people he’s secretly a hero who busted up a terrorist organization—or a lot of serious-looking officials in suits saying he’s just one of a bunch of troublemakers?”</p>
<p>I didn’t answer.  I knew he was right.  No one would believe me if I told the truth.  Even I could hardly believe it.  I buried my face in my hands.  I don’t think I’d ever felt so low, so helpless in all my life.</p>
<p>“Listen,” Rose went on, “I’m working on something, okay?”</p>
<p>It was another moment before I could look up.  “On what?”</p>
<p>“An appeal.  Through your lawyer.  In the courts.  We’ve got friends there, people who know the truth.  If they can arrange for the evidence against you to be declared tainted, your conviction could be overturned.”</p>
<p>“Overturned,” I said roughly.  The word would hardly come out.</p>
<p>“I know.   It’s not a complete vindication but…  at least it’d get you out of here.”</p>
<p>I looked at Rose—and again, his eyes flitted away.  He couldn’t meet my gaze.  He was ashamed of the position he was in, ashamed of what the government was doing to me.  I didn’t blame him.  On the other hand, when Waterman first recruited me for this job, he didn’t lie about it.  He told me I was risking everything.  Not just my life, but my reputation.  He told me he was operating outside the usual channels.  He told me I might not have the support of the fancy suits in government.  He told me they might pretend I didn’t exist and that the people I loved might go to their graves believing I was a traitor and even a killer.</p>
<p>I’d signed on, knowing all that.  And I’d won, too.  Me and Waterman and Rose and the others.  We’d done what we set out to do.  We’d broken up the Homelanders, stopped them, most of them anyway, before they could carry out their plans.  All except Prince and a few of his friends.</p>
<p>So I had nothing to complain about.  I’d known what I was getting into from the start.</p>
<p>I just hadn’t known about Abingdon.  How hard it would be.  How lonely and terrifying and suffocating.  That’s just not something you can know before you get there, before you experience it for yourself.</p>
<p>And now that I did know, I wasn’t sure I had the courage to stick it out.</p>
<p>“How long?” I asked Rose hoarsely.  “How long would an appeal take?”</p>
<p>“With our friends working on it,” he said.  “A couple of months maybe.  If all goes well, you’ll be out of here early in the New Year.”</p>
<p>I let out a long breath.  “Christmas in Abingdon,” I murmured.  “Just what I always dreamed of.”</p>
<p>“I’m sorry,” Rose said.  He still wouldn’t look at me.</p>
<p>Finally, after what seemed a long silence, his chair scraped against the floor as he pushed it back.  He stood up.  He hesitated, standing over me.</p>
<p>“I’ll tell you something, Charlie,” he said then.  “When you started this, you were a boy.  But you’re not a boy anymore.  You’re a man.  A man and an American.  And I don’t say either of those things lightly.  You’re getting a hard deal from some people who aren’t fit to tie your sneakers.  Government can be like that.  That’s one of the reasons we try not to have too much of it.”</p>
<p>He moved away from me.  He went to the white door in the white wall.  He rapped against it.  Then he looked back at me over his shoulder.</p>
<p>“You won’t be seeing me after this, Charlie.  I won’t be able to get in touch with you directly.  But believe me, I won’t forget you.  I’ll be working on getting you out of here any way I can.  And if there’s any news, I’ll find some way to let you know.”</p>
<p>The door opened.  I could see the guard standing in the hall outside.</p>
<p>“How can I reach you?” I asked him.</p>
<p>He shook his head.  “You can’t.”</p>
<p>“But…”  I stared after him desperately.  “Who do I call if I need help?”</p>
<p> Another very slight trace of a smile touched the corner of his lips.  “You know how to pray, don’t you?” he said.</p>
<p>And he walked out.</p>
<span class="fdPrintIncludeParentsPreviousSiblings"></span><span class="fdPrintIncludeParentsChildren"></span>]]></content:encoded>
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		<title>Exclusive Excerpt: Andrew Klavan’s ‘The Final Hour’ Part Two</title>
		<link>http://bighollywood.breitbart.com/aklavan/2011/08/05/exclusive-excerpt-andrew-klavans-the-final-hour-part-two/</link>
		<comments>http://bighollywood.breitbart.com/aklavan/2011/08/05/exclusive-excerpt-andrew-klavans-the-final-hour-part-two/#comments</comments>
		<pubDate>Fri, 05 Aug 2011 21:01:59 +0000</pubDate>
		<dc:creator>Andrew Klavan</dc:creator>
				<category><![CDATA[Books and Literature]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[EXCERPT]]></category>
		<category><![CDATA[Homelanders]]></category>
		<category><![CDATA[Klavan]]></category>
		<category><![CDATA[The Final Hour]]></category>

		<guid isPermaLink="false">http://bighollywood.breitbart.com/?p=501920</guid>
		<description><![CDATA[Ed. Note: This is the second of three excerpts. Part one is here. Part three posts tomorrow. ”The Final Hour” is available at Amazon.
Chapter Two
The Yard King 
What just happened?
In the terror of the moment, I couldn’t make sense of it.  Then I could.
One of the Nazi musclemen—one of the thugs who’d been with me by the [...]]]></description>
			<content:encoded><![CDATA[<p><em><strong>Ed. Note:</strong> This is the second of three excerpts. Part one is<a href="http://bighollywood.breitbart.com/aklavan/2011/08/04/exclusive-excerpt-andrew-klavans-the-final-hour-part-one/"> here</a>. Part three posts tomorrow. ”The Final Hour” is available </em><a href="http://www.amazon.com/Final-Hour-Homelanders-Andrew-Klavan/dp/1595547150"><em>at Amazon</em></a><em>.</em></p>
<p style="text-align: center;"><strong>Chapter Two</strong></p>
<p style="text-align: center;"><strong>The Yard King</strong> </p>
<p><em>What just happened?</em></p>
<p>In the terror of the moment, I couldn’t make sense of it.  Then I could.</p>
<p>One of the Nazi musclemen—one of the thugs who’d been with me by the free weights—was standing before me where the wolf-faced man had been.  His fist was raised, a stone was gripped in it.  He had stepped up behind the Islamist assassin and clubbed him in the back of the neck.</p>
<p style="text-align: center;"><a href="http://bighollywood.breitbart.com/files/2011/08/the_final_hour1.jpg"><img class="alignnone size-full wp-image-501924" title="the_final_hour" src="http://bighollywood.breitbart.com/files/2011/08/the_final_hour1.jpg" alt="" width="326" height="500" /></a></p>
<p>The next instant, the two men holding me were ripped away, as if they’d been caught up in a tornado or something.  Some Swastika-tatooed musclemen had grabbed them too, dragged them off me.  As the men fought back, more of the Islamists were running to the scene to join the fight and more of the Nazis too.  Another second and hate-filled men were battling other hate-filled men back and forth across the grass. There was the crack of fists on bone.  Blood flying through the air.  Grunted curses and ugly names.  Men down on the ground rolling over and over one another, trying to gouge one another’s eyes or clutch one another’s throats.</p>
<p>It all happened in a second.  I stood dazed at the center of the chaos.</p>
<p>I thought:  <em>This is hell.  It must look just like this in hell.</em></p>
<p>Now the guards in their blue shirts seemed suddenly to reappear out of nowhere.  They rushed into the melee of gray uniforms, wrapping arms around prisoners’ throats to pull them apart, hammering at their heads with the edges of their walkie-talkies, kicking at them as they rolled around in the dirt and on the asphalt.</p>
<p><span id="more-501920"></span></p>
<p>Shouting and striking out, the guards drove the Nazis and Islamists away from each other, forcing them into opposite areas of the yard.</p>
<p>It was all over as quickly as it began.  I hardly had time to register what had happened, to compute the fact that this prison feud had saved my life.  One hate group had fought off another hate group and somehow the result was that I was still standing, still alive.</p>
<p>Still alive—but my troubles were far from over.</p>
<p>Because, now, across the grass, the Yard King was coming.</p>
<p>That’s what they called him:  The Yard King.  His real name was Chuck Dunbar.  He was Corrections Officer in Charge of the Prisoner Recreation Area, the chief guard of the exercise  yard.  He wasn’t a big man but he packed a lot of nastiness into his thick, 5 foot seven frame.  He was squat and broad and had a face like the business end of a fist, all mean and knuckly.  His headquarters was a place the prisoners called The Outbuilding.  It was a grim, featureless cinderblock box that stood in the furthest corner of the yard.  Dunbar spent most of his time in there, doing whatever it was he did.  But when there was trouble—or when he wanted to start trouble—out he came.  The sight of him was always bad news for someone, because the Yard King was a man who liked hurting people.</p>
<p>And right now, he was coming straight at me.</p>
<p>He barreled forward fast with his peculiar rolling walk, his lips twisted in a snarl, his fists clenched by his sides.  His eyes were pale, almost colorless, but they seemed to burn as if they were lit with white flames.</p>
<p>Another second or two and he was standing in front of me.  The rest of the guards lined up on either side of him.  The Yard King glanced to his left and to his right.</p>
<p>“Get this con garbage back in their cells,” he growled.</p>
<p>Instantly, the guards started moving, started screaming at the prisoners, striking out at them and herding them toward the prison doors.  The men moved sullenly, their gray shoulders hunched.  They cast wicked glances at each other, muttering threats through the gaps between the guards.</p>
<p>I started moving too, figuring I was supposed to go back to my cell as well.</p>
<p>But Dunbar stepped in close to me, blocking my way.</p>
<p>“Not you, lowlife,” he said.  He had a voice like a rake on gravel.  It seemed to rattle inside his throat as it came out at me.  “You’re the one who started this.”</p>
<p>“Me?” I blurted out.  “I was just standing here.  That guy tried to kill me.  He had a knife.  He…”</p>
<p>Ther Yard King hit me in the face.  He used the back of his hand, snapping it fast at my cheek.  My head flew back, my thoughts rattled.</p>
<p>“Shut up,” Dunbar said.  “Don’t lie to me.”</p>
<p>I rubbed my bruised cheek.  It didn’t seem like a good idea to answer him, so I didn’t.</p>
<p>Dunbar smiled, his eyes flashing.  “How could anyone have a knife in the yard?” he asked me.  “If someone had a knife in the yard, that would mean they’d gotten it past one of my guards.  That would mean there was something wrong with the way I run this place.  You think there’s something wrong with the way I run this place, punk?”</p>
<p>I went on rubbing my cheek.  I went on not answering.  But that wasn’t good enough for the Yard King.</p>
<p>This time, when he struck out at me, my hand was in his way, and blocked the blow.  But I still felt the jar of it.</p>
<p>“I asked you a question, lowlife,” Dunbar said.  “You think I’m not doing my job right?  You want to file a complaint with the authorities?”</p>
<p>I tried to think of something to say.  But all I could think of was the way things used to be, the life I used to have.  I flashed back on how things were when I was at home.  I thought of the way my parents and pastors and teachers and my karate instructor Sensei Mike would always tell me to tell the truth no matter what.  It seemed like only yesterday I was back in that world, and yet it seemed like a million years ago.  Back there, back home, there weren’t any guys like Chuck Dunbar—or if there were, I didn’t know them and they didn’t have complete and total control over my life.  Back home, it was easy to say “Tell the truth no matter what,” when “no matter what” didn’t include a guy who would gladly break every bone in your body and never pay a price.</p>
<p>Still, I didn’t say anything.  I couldn’t think of anything to say.</p>
<p>Dunbar smiled again, a weird, dreamy smile full of cruelty and a sick pleasure in cruelty.  “Charlie West,” he said.  My name sounded pretty bad when he spoke it, like the name of some kind of slimy creature you wouldn’t want to find crawling on you.  “You think you’re pretty special, don’t you, Charlie West?  I watch you.  I know you.  You think you’re something better than the rest of us.”</p>
<p>“I don’t…”</p>
<p>He hit me again, not hard, just enough to make me shut up—and shut up is exactly what I did.</p>
<p>“You’re nothing,” Dunbar said, his pale eyes gleaming.  “You’re not even nothing.  You’re a piece of garbage blowing across the yard.  I’m going to teach you that, West.  I’m going to make it my special mission to teach you.  I’m going to make it my hobby, my pastime.  From now on, the slightest thing you do, the first wrong move, the first wrong word that comes out of your mouth, I’m taking you into the Outbuilding.”</p>
<p>I stood up straight when I heard that, my heart clutching with fear.  The Outbuilding.  Every prisoner in Abingdon knew what that meant.  The Outbuilding was where the Yard King took you when he wanted to teach you a lesson, when he wanted to work you over, hard, with his fists or with a club.  Tucked away in the shadow of the yard wall, the building was only partially visible from one of the guard towers.  Once you were inside, no one could see what was happening to you and no one would ever tell.  It was the heart of the Yard King’s sadistic kingdom.</p>
<p>“Now I asked you a question, garbage,” he said.  How could a con in this yard have a knife when I’m in charge of keeping the place safe?  You think I’m not doing my job, garbage?  You think I made a mistake?  Answer me.”</p>
<p>I know:  I should have answered him.  I should have just lied and said no.  I should have said, “No, sir.  You’re doing a great job.”  I should have said, “There was no knife, sir.  There couldn’t have been a knife, sir.  Because you don’t make mistakes, sir.”</p>
<p>That’s what I should have said.  But somehow…  as far away from home as I was…  somehow I just couldn’t forget what my Mom and Dad and Sensei Mike had taught me.  I couldn’t force the lie up out of my throat.  It stuck there, sour and disgusting.  All I could do was stand and stare into the fist-like face of this cruel, sick little man.</p>
<p>Dunbar grinned.  “What are you waiting for, garbage?  You think someone’s gonna help you?  No one’s gonna help you.  Not in here.  In here, you’re all alone.”</p>
<p>I didn’t mean to talk back to him, so help me.  I meant to be smart and stay quiet.  But before I could stop myself, the words just sort of came out.</p>
<p>“I’m not alone,” I told him.  “I’m never alone.”</p>
<p>Dunbar’s face twisted in rage.  This time, when he lifted his hand, he was holding a stun gun.  I saw it only for an instant, then a teeth-jarring blast of agony went through me.  My brain turned to cotton.  My muscles turned to rubber.</p>
<p> I felt myself falling and falling.</p>
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		<title>Exclusive Excerpt: Andrew Klavan&#8217;s &#8216;The Final Hour&#8217; Part One</title>
		<link>http://bighollywood.breitbart.com/aklavan/2011/08/04/exclusive-excerpt-andrew-klavans-the-final-hour-part-one/</link>
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		<pubDate>Thu, 04 Aug 2011 23:32:52 +0000</pubDate>
		<dc:creator>Andrew Klavan</dc:creator>
				<category><![CDATA[Books and Literature]]></category>
		<category><![CDATA[Featured Story]]></category>
		<category><![CDATA[Homelanders]]></category>
		<category><![CDATA[Klavan]]></category>
		<category><![CDATA[Terrorist]]></category>
		<category><![CDATA[The Final Hour]]></category>
		<category><![CDATA[young adult]]></category>

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		<description><![CDATA[Ed. Note: This is the first of three excerpts that will post over next three days. &#8221;The Final Hour&#8221; is available at Amazon.
The Homelanders series is about a kid named Charlie West &#8211; a good kid, who goes to sleep in his own bed one night and wakes up strapped to a chair being tortured by [...]]]></description>
			<content:encoded><![CDATA[<p><em><strong>Ed. Note:</strong> This is the first of three excerpts that will post over next three days. &#8221;The Final Hour&#8221; is available </em><a href="http://www.amazon.com/Final-Hour-Homelanders-Andrew-Klavan/dp/1595547150"><em>at Amazon</em></a><em>.</em></p>
<p>The Homelanders series is about a kid named Charlie West &#8211; a good kid, who goes to sleep in his own bed one night and wakes up strapped to a chair being tortured by Islamo-fascist terrorists.  He manages to make a run for it &#8211; only to find that he&#8217;s also wanted by the police for murder.  For the first three novels in the series, he&#8217;s been on the run from both the jihadis and the cops, trying to find out what happened to his life before someone kills him or puts him behind bars.</p>
<p><em>The Final Hour</em>  is the fourth and last installment in the series.  As it begins, Charlie has got most of the answers he needs, but the police have got him.  He&#8217;s been thrown into a very tough prison called Abingdon, where it&#8217;s a toss-up whether Islamist thugs or Nazis are going to have the pleasure of killing him first&#8230;</p>
<p style="text-align: center;"><a href="http://www.amazon.com/Final-Hour-Homelanders-Andrew-Klavan/dp/1595547150"><img class="alignnone size-full wp-image-501776" title="the_final_hour" src="http://bighollywood.breitbart.com/files/2011/08/the_final_hour.jpg" alt="" width="326" height="500" /></a></p>
<p style="text-align: center;"> <strong>Chapter One</strong></p>
<p style="text-align: center;"><strong>Abingdon</strong> </p>
<p>Most people have to die to get to hell.  I took a shortcut.</p>
<p>I was in Abingdon State Prison.  Locked away for a murder I didn’t commit.  Waiting for the men who were coming to kill me.  With nowhere to run.</p>
<p>It was the worst thing that had ever happened to me.</p>
<p>I’d been there for two weeks.  Two weeks of smothering boredom and strangling fear.  When I was locked in my cell, the minutes seemed to lie like dead men, to decay like dead men—so slowly you could barely tell it was happening.  When I was out in the exercise yard or in the cafeteria or in the showers, there was just the fear, the waiting.  Waiting for the killers to make good their threat, the words one of them had whispered in my ear as I stood in the dinner line one night:</p>
<p><em>You’re already dead, West.  You just don’t know it yet.</em></p>
<p>Alone in my cell, I stared at the tan wall.  I felt a black despair surrounding me, closing in on me.  I did everything I could to fight it.  I did push-ups.  I read my Bible.  I prayed.  The prayer gave me some comfort, some relief.</p>
<p><span id="more-501768"></span></p>
<p>But then the buzzer would sound, loud and startling.  The cell door would slide open.  A guard would shout from the end of the tier:</p>
<p>“Yard time!”</p>
<p>Then the waiting and the fear would begin again.</p>
<p>Where was Detective Rose? I wondered desperately.  I hadn’t seen him since he’d arrested me, since  he’d rescued me from the terrorist cell called the Homelanders and led me away in handcuffs.  Rose was the one official who knew who I was.  He knew I’d been planted in the Homelanders by Waterman and his agents.  He knew I’d let myself be framed for the murder of my friend Alex Hauser so the Homelanders would believe I was bitter and could be recruited.  Rose was one of Waterman’s agents too—at least, I thought he was.  I told myself he must be working behind the scenes to clear my name, to win my release.  I told myself he would come for me.  Any day now.  Any day.</p>
<p>But the killers came for me first.</p>
<p>I was in the exercise yard.  It was a large square of dying grass and broken asphalt.  It was surrounded by a fence topped with barbed wire.  The fence was surrounded by a high concrete wall.  At the corners of the wall there were guard towers.  In the towers there were men with rifles, watching our every move.</p>
<p>Here, below, on the grass and asphalt, the prisoners moved in their gray uniforms.  Some wore shirtsleeves, but most wore gray overcoats and black woolen watchcaps against the snow-flecked cold.  Each coat or shirt had a white strip with the prisoner’s number on it sewn over the left breast.  Each had the prisoner’s name stenciled over the right breast.  Other than that, they were all gray.</p>
<p>The men’s faces, on the other hand, were black and white and brown.  Their eyes were hard and watchful.  There was rage and meanness and fear etched into the tight lines of their cheeks and foreheads.  They gathered around the benches and free weights on one corner of the asphalt or played basketball on the half-court, or played catch on the grass or just walked and talked or just sat and stared.</p>
<p>Guards moved among them, men in blue shirts and black pants.  They carried no weapons, just heavy walkie talkies hooked to their belts.  The guards watched the prisoners but the prisoners didn’t watch the guards.  The prisoners watched each other.  And some of them, I knew, were watching me, waiting for their chance to attack.</p>
<p>I was on one of the weight benches.  I was doing presses with a light bar, not trying to bulk up or anything, just trying to keep the flexibility and speed I used in my karate training.  The men all around me were going for the big muscle stuff, lifting hundreds of pounds.  They worked in grim silence.  Whenever I dared to steal a glance at one of them, they looked like pretty nasty pieces of work.  White guys with shaved heads and thick arms and chests.  They had Nazi swastikas tatooed on their biceps and on their foreheads.  A couple of them had Christian crosses tatooed on them too.  How they thought those two symbols could ever go together—a symbol of hatred and a symbol of love—I didn’t know.  I’ll tell you what else:  I wasn’t about to ask.  They didn’t look like the types of guys who would enjoy a good theological conversation.  They looked more like the types of guys who would enjoy punching me repeatedly in the face until I lost consciousness or died.  That sounded like it would be more fun for them than for me so I kept my mouth shut.</p>
<p>When I finished my workout, I moved away from them.  I wandered to the edge of the crumbling basketball court, glancing this way and that to make sure no one was coming after me.  I stood by the court and watched the game, feeling the cold air dry the workout sweat on my cheeks and neck.</p>
<p>The game was three against three.  They were good players.  Rough, fast, with accurate shots from anywhere near the key.  They swirled back and forth in front of me in a shouting gray cloud of motion.  They elbowed each other in the face, and jostled each other shoulder to chest as they fought for position under the board.</p>
<p>One guy broke through and went airborne, jamming a dunk through the hoop.  As the teams reset, I took another nervous glance over my shoulder at the yard behind me.  But this time, something made me pause.</p>
<p>The guards.  Suddenly I didn’t see any guards.  The blue shirts that usually passed among the gray uniforms had vanished.  I felt an instinctive clutch inside me, a flash of something like panic.  Where had they all gone?</p>
<p>The next moment, the killers struck.</p>
<p>There were three of them.  They were black men.  In prison, the Muslims were mostly black.  They weren’t your regular everyday Muslims either.  They were hate-filled radical Islamists.</p>
<p>The Islamists had heard about me on the grapevine and in the news.  The word was I’d betrayed the Homelanders, a group of Islamo-fascists who recruited disgruntled Americans to pull off terrorist attacks on our home soil.  The Abingdon prison Islamists had vowed they’d take vengeance on me.  They’d see to it that I was punished for trying to protect my country.  This was their time.</p>
<p>The first one came at me with a shiv—a knife he’d made by sharpening a piece of hard plastic he’d smuggled out of the cafeteria.  He strode up to me from the right and drove the point in low toward my side.</p>
<p>I caught the motion out of the corner of my eye.  I swung around fast, blocking with my forearm, blocking instinctively with the reflexes I’d developed during all those years of training at the dojo.  Those reflexes saved my life—for the moment anyway.</p>
<p>My forearm hit the killer’s arm.  The plastic shiv sliced in front of me, missing my mid-section by inches.  Off-balance, I managed a weak kick at the attackers leg.  It hit him high, above the knee and only knocked him back a step or two.</p>
<p>Then the others grabbed me from behind.</p>
<p>There were two of them.  Big, strong.  I never got a good look at them.  I just felt their breath on the sides of my face.  Each one grabbed one of my arms, wrapping their own arms around it, holding it fast.  They pressed their bodies hard against me, blocking off my legs with their legs so I couldn’t kick again.  I couldn’t move at all.  I was helpless.</p>
<p>The man with the shiv came back for me.</p>
<p>I got a good look at him now.  He was enormous, tall and broad-shouldered, with huge muscles that pressed through the prison grays.  He had a long, thin face that reminded me of a wolf’s face.  His eyes were bright with wolf-like hunger and bloodlust.</p>
<p>He grinned as his friends caught hold of me.</p>
<p>“Hold him,” he told them.  Then he said to me, “Now you die, traitor.”</p>
<p>I tried to pull my arms free, tried to kick out with my legs.  It was useless.  The men who held me were too strong.</p>
<p>The man with the shiv stepped toward me, the sharpened point aimed at my stomach.</p>
<p>I had only one more second—just enough time to realize I was about to die—just enough time for that information to flash red-hot through my brain.</p>
<p>Then the man’s wolf-like face filled my vision, blotted out everything else.  There was nothing but his grin and his eyes.</p>
<p>But all at once, his eyes flew up, went white, empty.  His grin vanished and his mouth dropped open, slack.  He staggered back away from me.  I saw his legs go wobbly.  I saw his knees buckle.</p>
<p>He collapsed onto the grass with a hollow thud.  The plastic shiv fell from his limp fingers.</p>
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		<title>&#8216;The Secret Knowledge&#8217; Review: David Mamet Enters Stage Right</title>
		<link>http://bighollywood.breitbart.com/aklavan/2011/05/27/the-secret-knowledge-review-david-mamet-enters-stage-right/</link>
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		<pubDate>Fri, 27 May 2011 23:19:41 +0000</pubDate>
		<dc:creator>Andrew Klavan</dc:creator>
				<category><![CDATA[Books and Literature]]></category>
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		<guid isPermaLink="false">http://bighollywood.breitbart.com/?p=479816</guid>
		<description><![CDATA[In a celebrated 2008 essay for the Village Voice, David Mamet made the startling announcement that he was &#8220;no longer a brain-dead liberal.&#8221; I think it only fair to mention here that I rejoiced. Mr. Mamet is a terrific playwright, maybe even a great one (&#8220;American Buffalo,&#8221; &#8220;Glengarry Glen Ross&#8221;) and a screenwriter of the [...]]]></description>
			<content:encoded><![CDATA[<p>In a celebrated 2008 essay for the Village Voice, David Mamet made the startling announcement that he was &#8220;no longer a brain-dead liberal.&#8221; I think it only fair to mention here that I rejoiced. Mr. Mamet is a terrific playwright, maybe even a great one (&#8220;American Buffalo,&#8221; &#8220;Glengarry Glen Ross&#8221;) and a screenwriter of the first rank (&#8220;The Verdict,&#8221; &#8220;The Untouchables&#8221;). That a writer of such talent and stature had become a conservative seemed to me to promise some relief from the soporific political conformity of the American arts.</p>
<p style="text-align: center;"><a href="http://bighollywood.breitbart.com/files/2011/05/x331081.jpg"><img class="alignnone size-full wp-image-479820" title="x33108" src="http://bighollywood.breitbart.com/files/2011/05/x331081.jpg" alt="" width="316" height="477" /></a></p>
<p>So I rejoiced—and I also sympathized. Breaking free of leftism while working in show business is like escaping from &#8220;The Matrix&#8221; only to find oneself in &#8220;Invasion of the Body Snatchers.&#8221; You wake to a risky but bracing new reality of individual liberty, limited government and free markets and are instantly beset by zombified statist dreamers determined either to make you rejoin their ranks or to destroy you. Mr. Mamet reports that a certain prominent left-leaning newspaper actually panned his first openly conservative play not once but twice for good measure. (Libertarian humorist Greg Gutfeld has introduced a &#8220;Mamet Attack Clock&#8221; on his late-night cable show to measure just how fast critics will now downgrade their opinions of the playwright&#8217;s work.)</p>
<p>Under such circumstances, it is natural that Mr. Mamet would develop the urge to cry out, like Kevin McCarthy in the famous last scene of &#8220;Body Snatchers&#8221;: &#8220;Listen to me! Please listen!&#8221; From that urge, no doubt, arises Mr. Mamet&#8217;s new work of nonfiction, &#8220;The Secret Knowledge.&#8221; It is his attempt to explain and disseminate the thinking behind his conversion to the right.</p>
<p><a name="U402308902187K6G"></a></p>
<p>&#8220;Liberalism is a religion,&#8221; he writes. &#8220;It affords a feeling of spiritual rectitude at little or no cost. Central to this religion is the assertion that evil does not exist, all conflict being attributed to a lack of understanding between the opposed. Well and good, but this does not accord with the experience of anyone.&#8221;</p>
<p><strong>Full article <a href="http://online.wsj.com/article/SB10001424052748703730804576319122938720438.html?mod=googlenews_wsj">here</a>. </strong></p>
<p><em>You can purchase &#8220;The Secret Knowledge&#8221; </em><a href="http://www.amazon.com/Secret-Knowledge-Dismantling-American-Culture/dp/1595230769"><em>here</em></a><em>.</em></p>
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		<title>Exclusive Excerpt: Andrew Klavan&#8217;s &#8216;The Identity Man,&#8217; Part 2</title>
		<link>http://bighollywood.breitbart.com/aklavan/2010/11/12/xclusive-excerpt-andrew-klavans-the-identity-man-part-2/</link>
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		<pubDate>Fri, 12 Nov 2010 13:35:20 +0000</pubDate>
		<dc:creator>Andrew Klavan</dc:creator>
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		<description><![CDATA[Author&#8217;s note: Informant Peter Patterson is on the run from the homicidal police lieutenant Brick Ramsey.  As he tries to escape through a storm-drenched city, he encounters an almost apocalyptic disaster.
He drove north through the empty city.  He drove slowly, careful of the storm.  The pavement was slick where it was level and there were [...]]]></description>
			<content:encoded><![CDATA[<p><em><strong>Author&#8217;s note:</strong> Informant Peter Patterson is on the run from the homicidal police lieutenant Brick Ramsey.  As he tries to escape through a storm-drenched city, he encounters an almost apocalyptic disaster.</em></p>
<p>He drove north through the empty city.  He drove slowly, careful of the storm.  The pavement was slick where it was level and there were troughs and hollows where deep puddles gathered, where the water thundered against the undercarriage and gripped the tires of the old car as they passed through.</p>
<p style="text-align: center;"><a href="http://www.amazon.com/Identity-Man-Andrew-Klavan/dp/0547243286/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1289346519&amp;sr=1-1"><img class="size-full wp-image-415957 aligncenter" title="im" src="http://bighollywood.breitbart.com/files/2010/11/im2.jpg" alt="" width="335" height="500" /></a></p>
<p>As he got away from downtown, the streets grew even darker around him.  It took him a while to notice it:  the electricity here was out.  He looked past the laboring wipers.  He saw rainswept boulevards empty as alleyways, storefronts boarded against the tempest.  He was glad to be inside and warm with the heater on.  The unreasoning urgency in him—the anxious conviction that he had just been in some kind of danger—was already beginning to recede.  Maybe he’d just spooked himself.  Maybe he’d just let his nerves get the better of him.</p>
<p>He turned on the radio.  Hoping for some news, some voices for company.  Nothing came out but static.  He pressed the <em>scan </em>button and listened as the tuner automatically ran the band.  Still nothing but that hiss, end to end, that hiss with broken fragments of words in it like men sending messages from the belly of a snake.</p>
<p><em>Look at this.  Look at this.</em></p>
<p>The hollowed brownstones.  The vacant businesses.  The broken windows like phantoms’ eyes.  He was in the north now, at the edge of the neighborhoods.  He was thinking:  <em>The wages of sin.<span id="more-411365"></span></em></p>
<p>Because it was all the Country of King Penis, wasn’t it?  The country of misused women and abandoned sons.  That was exactly the message Reverend Skyles had been trying to bring to them, that was exactly why his fall was such a disappointment, such a tragedy.  He was a good man, a true man of God, the lone voice of truth against the silken temptations of Augie Lancaster.  Augie Lancaster telling folks he would give them back their dignity.  How do you <em>give</em> a man dignity if he doesn’t have it for himself?  Reverend Skyles told them they had to <em>be</em> dignified, had to <em>do</em> right…</p>
<p>Peter Patterson was lost in philosophical thoughts like this and so he didn’t notice the water rising.  It was pouring in fast from the east where the river had broken through the levies.  It was burbling up out of the sewers with such force that manhole covers were being lifted and rattled aside, one after another, as the deluge crossed town.</p>
<p>Peter Patterson began to feel the grip of the flood on his tires, the steering wheel tugging at his hands, but he was distracted.  He figured he was just going through another puddle.</p>
<p>Then his headlights picked out the body of a drowned man.</p>
<p>Oh, it was an eerie sight to see.  It was so unreal, he felt a stutter of disbelief between the moment he understood what it was and the moment the terror began to rise in him.  Peter Patterson stared through the windshield, open-mouthed.  The corpse’s ballooning shirt gleamed white in the headlights as he floated face down through the silent intersection up ahead.</p>
<p>“Holy mother of God,” Peter Patterson whispered.</p>
<p>An instant later, the tide was on him.</p>
<p>He felt a soft jolt against the side of the old Chrysler.  He turned and was startled to find the water outside was suddenly lapping at the bottom of the car’s door.  The next moment, with one low, electric groan, the New Yorker stalled.  It stopped and sat there, dark and dead, a motionless hulk around him.</p>
<p>Peter Patterson reflexively reached for the keys, but the shutdown had such a finality to it that he didn’t even bother to try to restart the engine.  He just pulled the keys from the ignition.  He knew he had to get out, get free, as fast as he could.</p>
<p>He tried to shoulder open the door.  It gave a little—just a little.  Then the pressure of the water held it.  Through the windshield, in the wavering glow of a fire nearby, he could still see the white shirt of the drowned man as he floated, slowly revolving, down the street.  A little zap of fresh panic went through him.</p>
<p><em>You could get caught in here.  You could be that guy, </em>he thought.</p>
<p>He shouldered the door again, harder this time, with a little of that I-don’t-wanna-die adrenalin pumping through him.  It was no good.  The weird, living gelatin of the flood pushed back against him.  He hit the door again, even harder, even more afraid.  At last, it gave way.  The water poured in over his feet and ankles, shockingly cold.  The door slid open just enough—just enough for Peter Patterson to force himself desperately through the gap.</p>
<p>He stood up in the street.  The water reached his knees and was still rising.  Shockingly, shockingly cold.  Insidious in its swiftness.  He could feel the force of it, trying to nudge him away from the car, trying to coax him into the arms of the current.  The cold seeped into him like a seductive whisper, trying to weaken his resolve.  It was the voice of the storm.  The storm wanted to kill him.  He could feel it.  It wanted him floating and turning down the street like the drowned man.  He was already shivering, already growing weak with the cold.</p>
<p>Peter Patterson held on to the car door with one hand, with all the strength that was left in his freezing fingers.  He looked around him and behind him, searching for the best way out, praying to God to help him find it.  The glow of the fire to the north lit the intersection with an eerie brightness.  He could make out the shapes of buildings silhouetted against it.  The dark grew thick in the near distance, though, with the electric down.  H<em>ard to find my way, Lord.</em> </p>
<p>He remembered the keychain gripped in his free hand.  There was a small flashlight on it.  He lifted it.  Had to be careful not to drop it—his hand was getting so stiff—his whole body was shuddering with cold.  He pressed the button and shot a thin blue beam in different directions, this way and that.  It picked out patches of water, black and boiling on every side of him.  He had to pray some more to fight his rising panic.  He turned the unsteady beam over the buildings around him.  There was a promising one, about a block away.  He might be able to break into that.  It was blackened brick, about six stories tall.  There were boards on the ground floor windows but he was sure he could tear them off.  There’d be stairs inside.  He could climb up to higher ground.  <em>Thank you, Jesus.</em></p>
<p>He took a deep breath for courage and reluctantly let go of the car.  He began wading through the water toward the intersection.  The drowned corpse turned and floated past the corner to his left, like a taunt, like a threat, like an omen.  But Peter Patterson tried not to look in that direction.  He told himself he was going to make it, he was going to be all right.  He kept praying.</p>
<p>The flood was up to the bottom of his thighs now but he was still stronger than the current.  He could still push through.  Only the cold worried him.  Wicked cold.  It ate into him, ate away his strength.  It made his arms quiver, as he pressed them tightly against his sides.  The rain lashed his face and his sodden overcoat clung to him.  Every stride through the thick flood was an effort.  He felt heavy and was getting heavier.  He felt like a man made of soft, wet clay trying to reach his goal before the clay dried and hardened so that he became a statue on the city street.  His teeth began to chatter.  He made shuddering noises, battling to take another slow step and another.  <em>Don’t let me die.</em></p>
<p>He reached the intersection.  The light here was bright and startling, drawing his attention to the west.  He turned to look and stopped where he was, stood still, letting out a tremulous breath as the water washed around him.</p>
<p>The flames were bright here, the city on fire.  You wouldn’t think it could burn like that in all this rain.  Only a block away, beyond the revolving corpse in the foreground, jagged lashings of livid orange burst through a broad storefront and scarred the black night.  The store’s low white roof gleamed red.  The taller brownstones on either side of it loomed darkly above the burning.  The water flowed and rose on the street out front, reflecting the fire in places or sometimes swallowing its light or sometimes sending up flickering splashes as people kicked through it.  The human figures appeared in silhouette, running into the flaming shop and out again, carrying their boxes of plunder.  They were busy as insects, but now and then the fire caught the face of a man, his eyes weirdly dead and bright at the same time, dead with the mindless passion of his hunger and bright with the hunger at the same time, dead and bright like the white shirt on the back of the corpse revolving in the current.</p>
<p>Appalled, Peter Patterson stood there for a moment, watching.  But only for a moment.  The flames were vivid and hot to the eye, but they gave no heat really.  The water still had him in the clutches of its cold, numbing him and urging him into its flow.  He had to fight it.  He had to move.  He had to keep moving.  <em>Help me, God.</em></p>
<p>He turned to go on—and there was Ramsey towering over him.</p>
<p style="text-align: center;">&#8212;&#8211;</p>
<p><em>&#8220;The Identity Man&#8221; is available<a href="http://www.amazon.com/Identity-Man-Andrew-Klavan/dp/0547243286/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1289346519&amp;sr=1-1"> for purchase today </a>at Amazon.</em></p>
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		<title>Exclusive Excerpt: Andrew Klavan&#8217;s &#8216;The Identity Man,&#8217; Part 1</title>
		<link>http://bighollywood.breitbart.com/aklavan/2010/11/11/exclusive-excerpt-andrew-klavans-the-identity-man-part-1/</link>
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		<pubDate>Thu, 11 Nov 2010 11:54:46 +0000</pubDate>
		<dc:creator>Andrew Klavan</dc:creator>
				<category><![CDATA[Books and Literature]]></category>
		<category><![CDATA[Politics]]></category>
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		<category><![CDATA[Andrew Klavan]]></category>
		<category><![CDATA[EXCERPT]]></category>
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		<category><![CDATA[Identity Man]]></category>
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		<description><![CDATA[Author&#8217;s Note: Two time loser John Shannon agrees to go in on a robbery with psychopath Benny Torrence.  Just as they get to the money, everything goes bad—and Shannon does something that will change his life forever. 
A floorboard creaked on the landing.  Shannon tensed, his hand frozen reaching for the cash.  He turned to see [...]]]></description>
			<content:encoded><![CDATA[<p><em><strong>Author&#8217;s Note</strong>: Two time loser John Shannon agrees to go in on a robbery with psychopath Benny Torrence.  Just as they get to the money, everything goes bad—and Shannon does something that will change his life forever.</em> </p>
<p>A floorboard creaked on the landing.  Shannon tensed, his hand frozen reaching for the cash.  He turned to see Benny’s dark shape likewise frozen by the door.  In their silence, they heard light footsteps running on the hall carpet.  All the pieces—all the half-acknowledged thoughts—fell into place in Shannon’s mind and he understood:  There was someone in the house.  There had been someone in the house all along.  That’s why he’d seen a glow at the door.  The someone must have heard them break in.  The someone must have turned the light off in order to hide his own presence.  Now the someone was trying to get to the stairway and escape.</p>
<p style="text-align: center;"><a href="http://www.amazon.com/Identity-Man-Andrew-Klavan/dp/0547243286/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1289346519&amp;sr=1-1"><img class="size-full wp-image-415937 aligncenter" title="im" src="http://bighollywood.breitbart.com/files/2010/10/im.jpg" alt="" width="335" height="500" /></a></p>
<p>For another second, Shannon hoped things might still turn out all right.  All they had to do was let the someone go.  Then they could grab the money and get out of here before the police showed up.  Even with Benny’s supercharged engine roaring for all the world to hear, they might still get away without being spotted.</p>
<p>But then Benny moved—and he moved so fast Shannon had no time to stop him or even call out.  His shadow flashed through the door like a streak of black lightning.  When he flashed back he had the someone in his hands.</p>
<p>It was a woman.  Benny was gripping her by the throat.  He shoved her up against the wall hard, hard enough to make the room shudder.  He shone his flashlight in her face and then down the whole length of her.  She was in her twenties, very pretty, with a curvy figure pressing through her blouse and skirt.  In the outglow of the flashlight beam, Shannon could see Benny’s bright eyes and the teeth in his fierce smile as he breathed over her.  His breath was a low, laughing growl of triumph and desire.</p>
<p>Shannon jumped to his feet.  He shone his own flashlight on Benny, the blue beam crossing with the white beam in the dark.</p>
<p>“What the hell’re you doing?  Let her go,” he said in a harsh whisper.<span id="more-411353"></span></p>
<p>“Shut up.  Get the money,” Benny said.  He shoved his flashlight in his back pocket.  He held the girl by the throat with one hand and tore open her blouse with the other.  The buttons of the blouse pattered on the carpeting.  Benny grabbed hold of the girl’s breast.  The girl struggled, crying out in anguish and pain.</p>
<p>“I called the police,” she managed to say.  Then her voice ended in a gasp as Benny squeezed her hard and pressed himself up against her.</p>
<p>“Damn it, there’s no time for this shit!” said Shannon.</p>
<p>“Shut up,” Benny said.  He was crazy.  “Get the money.”</p>
<p>Shannon hesitated.  His blue flashlight beam played over the girl’s face.  He could see her terror and then her despair as Benny’s hand started fumbling under her skirt.  Tears streamed down her cheeks.  Her eyes went up and her lips moved silently.  Shannon could tell she was praying.</p>
<p>His heart went out to her.  He was surprised by the force of the feeling.  It was just one of those things you didn’t know you would feel so much until you were in the situation.  Now he was here and he was looking right at her, looking at her tear-streaked face.  He could see her praying and choking, helpless in Benny’s hands.  And he felt awful for her.  He knew he ought to forget about it, ignore Benny and just grab the money so they could get out when Benny was done with her.  He knew if he started trouble now, they were sure to get caught.  That meant prison for Shannon, prison for life.</p>
<p>But <em>look at her, </em>he thought.  An image flashed in his mind of the girl getting dressed for work in the morning, turning this way and that in front of her mirror, pleased because her blouse looked pretty on her.  And now Benny had torn the blouse and her face was twisted in fear and agony.</p>
<p>Shannon had one more moment of indecision.  Then he thought:  <em>Shit.  </em>Then he thought again:  <em>Shit!</em>  Because he realized there was no way he was going to just stand there and let this happen.</p>
<p>Shannon had fought characters like Benny a couple of times in prison, and this is what he knew:  there was no talking involved in it.  Benny was big and mean and drugged out of his mind.  There could be no threats or poses or hard-guy exchanges with him because by the time you got through with that garbage you’d be dead.  So he simply bent to his roll and slipped his crowbar out of its pocket.  It was small but it was heavy enough.  He stepped around the desk and took half another step and he was next to Benny.  Benny was choking the girl hard and mashing her hard with his hand under her skirt.  Shannon could hear strangled phrases of her prayer:  “<em>Santa Maria</em><em>…  Madre de Dios…</em>”  That settled it for him somehow.  Without another thought, he brought the crowbar whipping around in a low Laredo sidearm and shattered Benny’s kneecap.</p>
<p>Benny did a sack of potatoes, dropped right down to the floor, <em>boom</em>, clutching his leg and shrieking like a woman in a horror movie.  All of which was fine with Shannon because what a piece of garbage this guy was.</p>
<p>The girl, meanwhile, staggered away from the wall, clutching her throat with one hand and the front of her skirt with the other.  She straightened and glanced at Shannon, confused.  Then she looked down at Benny.  Benny was writhing on the floor.  His shriek had sunk away to a series of gibbering sobs.  What a piece of garbage.</p>
<p>The girl looked up at Shannon again, hesitating, uncertain.  Even in the dark, he could see she was trembling violently.</p>
<p>“My knee!” groaned Benny Torrance.</p>
<p>“Aw, shut up,” said Shannon.  Then he turned back to the girl.  “Go on, sister, get out of here.  No one’s gonna hurt you now.”</p>
<p>He didn’t have to tell her twice.  She stumbled to the door and out onto the landing.  But just as she got there, the long, urgent cry of a siren came to them through the night outside.  The police.  She really had called them, like she said.  By the sound of it, they were turning off the street, coming down the drive to the house.  Shannon’s heart just about broke when he heard them.  He was finished.  He was going to grow old in slam.  He’d always known this was going to happen if he kept at it and it was his own stupid fault, but that didn’t make it any easier now that the time had come.</p>
<p>“You broke my knee!” cried Benny Torrance.</p>
<p>“Shut up, I said,” said Shannon sadly.</p>
<p>The girl was still on the landing.  She had halted there at the sound of siren.  As the siren drew closer, she looked back at Shannon.  He could see the whites of her eyes in the shadows.  She tilted her head down the hall.</p>
<p>“There’s a back way,” she told him.</p>
<p>Shannon gaped at her.  The sudden rush of hope gave him vertigo.  The siren stopped.   He could hear the police radio right outside the door.</p>
<p>“Hurry,” the girl said.</p>
<p>Dumbfounded, Shannon glanced back at the money in the safe, at his tools on the floor.  He glanced down at Benny.  Benny writhed and held his leg and went, “Ah God.  Ah God.”</p>
<p>“Hurry,” the girl said again.</p>
<p>Shannon let the crowbar slip from his fingers.  He took two long steps and was out on the landing next to her.  Instinctively, she recoiled from him, her arm pressed protectively against her breasts.  He was close enough to smell her fear and her sex and her perfume and the vomitous smell of Benny on her.</p>
<p>“Thanks, baby,” he said.</p>
<p>Still recoiling fearfully, she nodded.</p>
<p>Down the stairs, he saw the flashing red and blue lights of the police cruiser playing over the beveled glass of the door.  He saw the shape of a lawman approaching.</p>
<p>“Don’t leave me here!” cried Benny Torrance, clutching his knee.</p>
<p>Shannon took off down the hall.</p>
<p style="text-align: center;">&#8212;&#8211;</p>
<p><em> Another excerpt will publish tomorrow morning.</em></p>
<p><em> <em>&#8220;The Identity Man&#8221; is available<a href="http://www.amazon.com/Identity-Man-Andrew-Klavan/dp/0547243286/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1289346519&amp;sr=1-1"> for purchase today </a>at Amazon.</em></em></p>
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		<title>From Book Publishers to the Media: The Left&#8217;s Crusade to End Debate</title>
		<link>http://bighollywood.breitbart.com/aklavan/2010/07/27/from-book-publishers-to-the-media-the-lefts-crusade-to-end-debate/</link>
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		<pubDate>Tue, 27 Jul 2010 20:01:02 +0000</pubDate>
		<dc:creator>Andrew Klavan</dc:creator>
				<category><![CDATA[Books and Literature]]></category>
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		<category><![CDATA[Andrew Breitbart]]></category>
		<category><![CDATA[christian]]></category>
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		<category><![CDATA[Islamist terrorist plot]]></category>
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		<description><![CDATA[A personal incident has given me a particular perspective on recent news about the media. Last Tuesday, I received word that the French release of my thriller novel Empire of Lies had been canceled by publisher Seuil Policiers. The editor who originally bought the book had left the French company, and the new editor, my [...]]]></description>
			<content:encoded><![CDATA[<p>A personal incident has given me a particular perspective on recent news about the media. Last Tuesday, I received word that the French release of my thriller novel <em>Empire of Lies</em> had been canceled by publisher Seuil Policiers. The editor who originally bought the book had left the French company, and the new editor, my agent says, feels that “she can not publish . . . because of the political and religious aspects of the story.” This, even though it’s in breach of a contract for which I’ve been paid in full. </p>
<p style="text-align: center;"><img class="size-full wp-image-379070   aligncenter" title="CharlesMoffat-United-States-Censorship-2001" src="http://bighollywood.breitbart.com/files/2010/07/CharlesMoffat-United-States-Censorship-2001.jpg" alt="CharlesMoffat-United-States-Censorship-2001" width="367" height="214" /></p>
<p><em>Empire of Lies</em> features a politically conservative Christian protagonist, Jason Harrow, who believes he has uncovered an Islamist terrorist plot being obscured by the leftist mainstream media. “Lies, lies, lies,” the emotionally troubled Harrow murmurs at his television set. “It’s all about what they don’t say.” It will come as no surprise that my friend Andrew Breitbart praised the book as the only thriller he’d ever read in which the mainstream media were the villains.</p>
<p>The book’s French cancellation is, I realize, a rather small cultural event. Yet it gives specific color to the recent revelations on the Daily Caller website that left-wing journalists conspired to suppress scandals that might harm Barack Obama and to the brouhaha over Breitbart’s online release of a video that resulted in a government worker’s momentarily losing her job. In both stories, one thing leaps out at me: everywhere, the Left favors fewer voices and less information, and conservatives favor more. Everywhere, the Left seeks to disappear its opposition, whereas the Right is willing to meet them head-on.<span id="more-378898"></span></p>
<p>Take the e-mails that the Daily Caller obtained from the now-defunct lefty Web service Journolist. Never mind the personal or psychological implications of a radio producer who lovingly imagines Rush Limbaugh’s death or a law professor who doesn’t know that the FCC has no power to deprive Fox News of a license or a reporter who wants to smear Fred Barnes and other right-wing commentators as racist in order to distract the public from the hateful radicalism of Jeremiah Wright, then Obama’s pastor. The point is not these people’s animus or ignorance or wickedness. The point is that what they desired was not victory in open debate but silence—the silence of censorship, intimidation, or the grave.</p>
<p><strong>Read the full article </strong><a href="http://www.city-journal.org/2010/eon0726ak.html"><strong>here.</strong></a></p>
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		<title>The Sky is Blue; Hollywood&#8217;s List Is Black</title>
		<link>http://bighollywood.breitbart.com/aklavan/2010/05/05/the-sky-is-blue-hollywoods-list-is-black/</link>
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		<pubDate>Wed, 05 May 2010 12:03:57 +0000</pubDate>
		<dc:creator>Andrew Klavan</dc:creator>
				<category><![CDATA[Entertainment]]></category>
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		<description><![CDATA[Over the last forty years, leftism has failed in every particular but one:  it has succeeded in demonizing the opposition.
Leftists will blacklist you—then if you complain, they’ll attack you for whining.  They will call you racist and compare your leaders to Hitler—then if you return the insult, they’ll scream about the decline of civility.  They [...]]]></description>
			<content:encoded><![CDATA[<p>Over the last forty years, leftism has failed in every particular but one:  it has succeeded in demonizing the opposition.</p>
<p>Leftists will blacklist you—then if you complain, they’ll attack you for whining.  They will call you racist and compare your leaders to Hitler—then if you return the insult, they’ll scream about the decline of civility.  They will do everything in their power to cut you off from media and artistic outlets—then when you create outlets of your own they will savage them for their bias.  Like the mobster in a Raymond Chandler novel, they will beat your teeth out, then kick you in the stomach for mumbling.</p>
<p style="text-align: center;"><img class="size-full wp-image-342190 aligncenter" title="6a00d8341c4e6153ef00e54f1ef6008833-800wi" src="http://bighollywood.breitbart.com/files/2010/05/6a00d8341c4e6153ef00e54f1ef6008833-800wi1.jpg" alt="6a00d8341c4e6153ef00e54f1ef6008833-800wi" width="318" height="286" /></p>
<p>As a result of their success in marginalizing dissenting opinions, nothing now creates a greater commotion in modern American discourse than speaking the obvious truth.</p>
<p>Last week during a stop in Washington DC, I gave a five minute interview to an extremely nice reporter named Peggy Star from CNSNews.  I pointed out that, while leftists speak their political minds openly and aggressively in Hollywood, conservatives are forced to meet in secret and speak in whispers to avoid insult and tacit blacklisting.<span id="more-342178"></span></p>
<p>As if I had said something shocking or hitherto unknown, the video of this interview went viral.  On the left, Nikke Finke at <a href="http://www.deadline.com/?s=klavan" target="_blank"><em>Deadline Hollywood Daily</em></a> attacked me, and Patrick Goldstein of the <a href="http://www.miamiherald.com/2010/04/29/1604284/conservatives-say-they-have-to.html" target="_blank"><em>Los Angeles Times</em></a> called for proof.  On the right, my friend John Nolte at <em><a href="http://bighollywood.breitbart.com/jjmnolte/2010/04/29/how-the-blacklist-works-nikki-finke-twists-andrew-klavans-words/" target="_blank">Big Hollywood</a> </em>leapt to my defense and even Sean Hannity asked me about it when I appeared on his panel.</p>
<p>But is anyone, left or right, really surprised or doubtful about what I said?</p>
<p><strong>Read the full article <a href="http://www.andrewklavan.com/2010/05/03/the-sky-is-blue-the-list-is-black/">here</a>.</strong></p>
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		<title>Barack Obama, Talking Crap II: This Time It&#8217;s Crap</title>
		<link>http://bighollywood.breitbart.com/aklavan/2010/04/09/barack-obama-talking-crap-ii-this-time-its-crap/</link>
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		<pubDate>Fri, 09 Apr 2010 19:51:47 +0000</pubDate>
		<dc:creator>Andrew Klavan</dc:creator>
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		<description><![CDATA[
&#8212;&#8211;
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			<content:encoded><![CDATA[<p style="text-align: center;"><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="560" height="307" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/L3S09QPlsg8&amp;hl=en_US&amp;fs=1&amp;" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="560" height="307" src="http://www.youtube.com/v/L3S09QPlsg8&amp;hl=en_US&amp;fs=1&amp;" allowfullscreen="true" allowscriptaccess="always"></embed></object></p>
<p style="text-align: center;">&#8212;&#8211;</p>
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		<title>We Report, You Obey &#8211; The MSM&#8217;s Dirty Tea Party Fetish</title>
		<link>http://bighollywood.breitbart.com/aklavan/2010/03/26/we-report-you-obey-the-msms-dirty-tea-party-fetish/</link>
		<comments>http://bighollywood.breitbart.com/aklavan/2010/03/26/we-report-you-obey-the-msms-dirty-tea-party-fetish/#comments</comments>
		<pubDate>Fri, 26 Mar 2010 21:13:00 +0000</pubDate>
		<dc:creator>Andrew Klavan</dc:creator>
				<category><![CDATA[Politics]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[CNN]]></category>
		<category><![CDATA[msm]]></category>
		<category><![CDATA[MSNBC]]></category>
		<category><![CDATA[race]]></category>
		<category><![CDATA[racism]]></category>
		<category><![CDATA[Tea Party]]></category>

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